Pablo Neruda is known first as a poet, but the prose pieces in this collection reflect the enormous hunger he demonstrated throughout his career for new modes of expression, new adventures, new challenges. Passions and Impressions is both a sequel to and an enlargement of Neruda's Memoirs, recording a lifetime of travel, of friendships and enmities, of exile and homecoming, of loss and discovery, and of history both public and personal. Above all, it is a testament to Neruda's love for Chile-for its citizens, its flora and fauna, its national identity. His abiding devotion pervades these notes on a life fully lived.

David Hume's theory of action is well known for several provocative theses, including that passion and reason cannot be opposed over the direction of action. Elizabeth S. Radcliffe defends an original interpretation of Hume's views on passion, reason, and motivation which is consistent with other theses in Hume's philosophy, loyal to his texts, and historically situated. She challenges the now orthodox interpretation of Hume on motivation, presenting an alternative that situates Hume closer to "Humeans" than many recent interpreters have. Part of the strategy is to examine the thinking of the early modern intellectuals to whom Hume responds. Most of these thinkers insisted that passions lead us to pursue harmful objects unless regulated by reason; and most regarded passions as representations of good and evil, which can be false. Understanding Hume's response to these claims requires appreciating his respective characterizations of reason and passion. The author argues that Hume's thesis that reason is practically impotent apart from passion is about beliefs generated by reason, rather than about the capacity of reason. Furthermore, the argument makes sense of Hume's sometimes-ridiculed description of passions as "original existences" having no reference to objects. The author also shows how Hume understood morality as intrinsically motivating, while holding that moral beliefs are not themselves motives, and why he thought of passions as self-regulating, contrary to the admonitions of the rationalists.

Overwhelmed by the neighborly attentions of the cheerful and vivacious “girl next door,” a man burned by love finds his passions reigniting in #1 New York Times bestselling author Nora Roberts’s First Impressions. Entrepreneur Vance Banning took a residence in rural Maryland to escape business pressures—and relationships with women pursuing his bank account. To the community, he’s a moody, out-of-work carpenter with a chip on his shoulder. To next door neighbor Shane Abbott, he’s just a man who needs a little kindness in his life. Vance’s suspicions of the stunning beauty’s intense interest in him start to fade when he realizes Shane’s compassion is honest and joyful—giving his heart permission to experience true love.

What kind of first impression do you make? A first impression is the most important impression you’ll ever make—and you get only one chance to make it. Business deals can be made or broken, first dates become second dates or not, friendships are created or fail to form; everything hinges on that all-important initial encounter. And yet most of us don’t know how we’re really seen by others. Many of us don’t know how to make a good impression. Wouldn’t you like others to see you as confident, interesting, attractive, and sincere? Ann Demarais, Ph.D., and Valerie White, Ph.D., consultants to many Fortune 100 companies as well as creators of First Impressions, Inc., a New York–based dating and consulting firm, offer you the keys to putting your best self forward in any new situation, whether you want to strike up a conversation at a party or are meeting a blind date or a new business client. You’ll learn to see yourself as others see you, and how to tweak your style to create the impression that reflects the real you. Breaking down a successful first impression into its seven fundamentals, the authors show you how to master these principles so that you can make the best first impression. They also show how to avoid common misunderstandings that leave others with a bad impression, how to reveal the four universal social gifts, and they outline practical steps you can take to enhance your personal charm. Informative and filled with enlightening research studies, do-it-yourself checklist reviews, and dozens of helpful case histories, First Impressions is a fun, groundbreaking, and long-overdue guide to the most important moment of virtually any relationship: the first.

Beneath a thin top layer of honey, the barrel is full of shit. At the bottom lies death.Mickey's life was an accident. Dumped by his mother hours after birth and losing his father from a heroin overdose at the age of three, he was adopted by his drug-addicted uncle and grew up in a company of crooks and loafers. Married to an older, deranged former coquette, he led a dull stoner's life up to his early thirties. Everything changed when he became rich overnight.Roaming the depraved streets of central Athens, high on cocaine, he runs into Frida - a charming, barely-adult street prostitute. After spending ten minutes together in a shabby hotel room, he falls madly in love and is prepared to do everything for her. But she is not ready to reciprocate his feelings in the least. She is not capable of showing the slightest fondness towards anything that is not the object of her sole profound craving - a fine brown powder going by the name of heroin. She is, though, very apt in making use of anything that can be the means to obtaining her next dose. A diffident, submissive, and infatuated nouveau riche does perfectly qualify for becoming her habit's ideal sponsor.So does Mickey quit his job, leave his wife and daughter, and move out with Frida to live a restless life of abuse and decay in the fetid streets around Omonoia Square of Athens. He is determined to pull her out of the swamp, save her, become her hero, and ultimately, be loved by her. A part of her thirsts after a normal life, but she has to confront the besetting might of heroin addiction and the sense of nihilism that it engenders. If he stands any chance to help her out of her predicament, he must first overcome his own weaknesses of character, vanity, and paranoid mind.For the time being, Frida is sunk a good way into the barrel, and striving to pull her out, Mickey runs the danger to be dragged in it himself...

Young Elizabeth O'Connor is the little sister John Brady always longed for. But she wants much more than that from her spiritual mentor. As she blossoms into a beautiful young woman intent on loving John, he must push back the very real attraction he feels for her. His past just won't let him go there. Unfortunately, Lizzie won't let him go anywhere else--until she discovers he is not all that he seems. Can true love survive such revelations? Full of the romance and relationships Lessman readers have come to love, A Passion Denied is the final book in the popular Daughters of Boston series.