By examining the emotional practices central to political, social, and religious life in late sixteenth-century Augsburg, this book offers a new framework for analyzing religious coexistence in the generations following the Reformation.

The Empire's Reformations provides a concise overview of reform movements in 16th-century Germany that gave birth to the modern division of western Christianity into multiple denominations – Roman Catholic, Lutheran, Calvinist, and more. It exposes the origins of modern religious pluralism, both in battle for souls among these emerging camps and in the struggles of political leaders at every level to manage the threat that religious diversity posed to tranquillity and order in a rigidly hierarchical society. As such, it offers a prehistory of religious toleration, not as a positive value – few regarded toleration as inherently good – but as a strategy for keeping the peace. David M. Luebke considers the reformations of religion in the context of concurrent transformations in the political and judicial structures of the Holy Roman Empire, that sprawling confederation of principalities and city-states that embraced most regions where German was spoken. This allows Luebke to view the religious reforms through the lens of imperial politics, showing how the Empire differed from the Atlantic monarchies, Eastern Europe, Scandinavia, and the Mediterranean. On a different and equally significant level, he examines how ordinary people of all backgrounds experienced the controversy over religion and responded to reforms of doctrine and observance. The inclusion of both the imperial and local perspectives moves the Reformation beyond the familiar story of theological combat and reimagines it as something that had resonance throughout the world, impacting people's lives in the process.

Sixteenth-century Augsburg comes to life in this beautifully chosen and elegantly translated selection of original documents. Ranging across the whole panoply of social activity from the legislative reformation to work, recreation, and family life, these extracts make plain the subtle system of checks and balances, violence, and self-regulation that brought order and vibrancy to a sophisticated city community. Most of all we hear sixteenth-century people speak: in their petitions and complaints, their nervous responses under interrogation, their rage and laughter. Tlusty has done an invaluable service in crafting a collection that should be an indispensable part of the teaching syllabus. --Andrew Pettegree, University of St. Andrews

As such, this dissertation's examination and explanation of Augsburg's success during this period is at odds with what is normally taken to be the norm of sixteenth- or seventeenth-century Europe. In contrast to familiar assumptions regarding the necessity or inevitability of religious conflicts in the wake of the Reformation's challenge of the governing logics of medieval Christendom and in contrast to common arguments concerning a rearticulation of religion's place in society only after the mutually destructive experience of the Thirty Years' War in the seventeenth century, this dissertation challenges scholars to reconsider long-held notions about the place of religion in premodern society, the emergence of modern ideas and practices of politics, the logics of religious violence, the recognition of the individual conscience's irrefragability, and the relative importance of supra-confessional sources of identity like civic-mindedness, economic well-being, and local patriotism.

The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars working on all aspects of the early modern world. Contributors are Alfredo Viggiano, Benjamin Arbel, Michael Knapton, Claudio Povolo, Luciano Pezzolo, Anna Bellavitis, Anne Schutte, Guido Ruggiero, Benjamin Ravid, Silvana Seidel Menchi, Cecilia Cristellon, David D’Andrea, Elisabeth Crouzet-Pavan, Wolfgang Wolters, Dulcia Meijers, Massimo Favilla, Ruggero Rugolo, Deborah Howard, Linda Carroll, Jonathan Glixon, Paul Grendler, Edward Muir, William Eamon, Edoardo Demo, Margaret King, Mario Infelise, Margaret Rosenthal and Ronnie Ferguson.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

"[This] magnificent critical survey, with its inherent respect for both the 'Westt's mainstream high culture' and the 'radically changing world' of the 1990s, offers a new breakthrough for lay and scholarly readers alike....Allows readers to grasp the big picture of Western culture for the first time." SAN FRANCISCO CHRONICLE Here are the great minds of Western civilization and their pivotal ideas, from Plato to Hegel, from Augustine to Nietzsche, from Copernicus to Freud. Richard Tarnas performs the near-miracle of describing profound philosophical concepts simply but without simplifying them. Ten years in the making and already hailed as a classic, THE PASSION OF THE WESERN MIND is truly a complete liberal education in a single volume.