Jacques-Pierre Brissot was among the major architects of the French Revolution, yet history has vilified and then dismissed him. His early intellectual development was strongly influenced by Enlightenment ideas and aspirations. However, his own remarkable construct of a just, democratic society, universal suffrage, and a renewed humanity living in moral and political freedom foreshadowed many present-day ideologies. The prevailing view of Brissot has pigeonholed him as Brissot, the police spy, a label difficult to remove. Although this contention has been disputed at some length, Loft presents an alternative view of the forces that shaped Brissot's social and political activism. Tracing the gradual evolution of his ideology from its earliest stages reveals that he did not suddenly become a radical in the mid-1780s. An open, objective, and thorough evaluation of Brissot's work uncovers the roots of his lifelong commitment to reformist, egalitarian, and democratic ideals. To understand Brissot, the man and his work, one must assess the cultural, intellectual, and political influences that surrounded him. Loft offers the necessary fusion of text and context, providing a serious reconsideration of Brissot and his contributions to the history of human rights. Scholars and other researchers of the French Revolution and European political thought will find this study of particular value.

A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work Mary Wollstonecraft’s A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft’s thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her own time, this book restores her to her rightful place as a major eighteenth-century thinker, reminding us why her work still resonates today. The book’s format echoes one that Wollstonecraft favored in Thoughts on the Education of Daughters: short essays paired with concise headings. Under titles such as “Painting,” “Music,” “Memory,” “Property and Appearance,” and “Rank and Luxury,” Tomaselli explores not only what Wollstonecraft enjoyed and valued, but also her views on society, knowledge and the mind, human nature, and the problem of evil—and how a society based on mutual respect could fight it. The resulting picture of Wollstonecraft reveals her as a particularly engaging author and an eloquent participant in enduring social and political concerns. Drawing us into Wollstonecraft’s approach to the human condition and the debates of her day, Wollstonecraft ultimately invites us to consider timeless issues with her, so that we can become better attuned to the world as she saw it then, and as we might wish to see it now.

The rationalist ideal has been met with cynicism in progressive circles for undermining the role of emotion and passion in the public realm. By exploring the social and political implications of the emotions in the history of ideas, contributors examine new paradigms for liberalism and offer new appreciations of the potential for passion in political philosophy and practice. Bringing the Passions Back In draws upon the history of political theory to shed light on the place of emotions in politics; it illustrates how sophisticated thinking about the relationship between reason and passion can inform contemporary democratic political theory.

This text argues that justice is a virtue which everyone shares - a function of personal character and not just of government or economic planning. It uses examples from Plato to Ivan Boesky, to document how we live and how we feel.

Philosophy as Passion refutes the commonly held view of Simone de Beauvoir as no more than an acolyte of Jean-Paul Sartre. Karen Vintges delineates Beauvoir's independent, original ethics and philosophy, drawing on the moral philosophical treatises of the 1940's and 1950's along with The Second Sex, her novel The Mandarins, and autobiographical works.

Paul Ricoeur's entire philosophical project narrates a "passion for the possible" expressed in the hope that in spite of death, closure, and sedimentation, life is opened by superabundance, by how the world gives us much more than is possible. Ricoeur's philosophical anthropology is a phenomenology of human capacity, which gives onto the groundless ground of human being, namely, God. Thus the story of the capable man, beginning with original goodness held captive by a servile will and ending with the possibility of liberation and regeneration of the heart, underpins his passion for the more than possible. The essays in this volume trace the fluid movement between phenomenological and religious descriptions of the capable self that emerges across Ricoeur's oeuvre and establish points of connection for future developments that might draw inspiration from this body of thought.

A study of the world's great ideas from Plato and Aquinas to William James and Simone de Beauvoir. Aimed at those who wish to acquire a basic familiarity with the history of philosophy.