In March 2014, Anna Durand introduced a unique new series of paranormal romance novellas. For the first time ever, all four tales in the Reborn series are collected in one book. Dawn woke up drowning, inside a tank in a laboratory straight out of a science fiction movie. Blinded by amnesia, she no choice but to trust in the alluring stranger who pulls her out of the tank, but Jake Maxwell knows more than he cares to admit. Now Redeo Biotech, the company responsible for Dawn's resurrection, is hunting them both. As their passion for each other blossoms, Jake and Dawn must outwit their enemies and rediscover their past lives. But when their greatest foe rises from the ashes of ancient Egypt to destroy their future, only Jake and Dawn's eternal connection has the power to save them. This collection includes the novellas Reborn to Die, Reborn to Burn, Reborn to Avenge, and Reborn to Conquer.

For the last two years, Lord Van Pragh has sat grieving at night by his wife's tomb in Bedford Castle while living with an incurable, rare disease that occurs in one in two billion people. On one dark night, he meets the spiritually inclined eighteen-year-old clairvoyant, Fiona Morgan. Having married his wife on the day his mistress committed suicide, Lord Von Pragh does not have the best reputation for a forming a relationship with the young clairvoyant. Fiona is trying to escape from the clutches of the wily politician, the lord mayor of Limerick, who has announced his engagement to her. Although heiress to a tobacco fortune, Fiona is interested only in a career as an opera singer, yet finds herself falling in love with Lord Von Pragh. Can Fiona lure the elusive Lord Von Pragh away from the tomb of his dead wife, Lady Christiana? Will Lady Christiana's spirit allow their act of love be consummated?

The Dr G.R. Beasley-Murray Memorial Lectures were delivered annually between 2002 and 2012 with the aim of extending the legacy of this significant New Testament scholar and church leader into the twenty-first century. Themes addressed include baptism, ministry, preaching, mission, and theological faithfulness. Having first been delivered at the annual Assembly of the Baptist Union of Great Britain, the lectures in this volume are now made available to a wider audience and will be of interest to church leaders across the denominations and across the world, and not least to those who stand in Beasley-Murray's own Baptist tradition. George Beasley-Murray died in 2000. The lectures cover a wide range of topics, from baptism to missions, fromEvangelical identity to preaching. The lecturers are: Paul Beasley-Murray, former Principal of Spurgeon's College; David Coffey, former President of the Baptist Union and of the Baptist World Alliance; John E. Colwell, Pastor of Budleigh Salterton Baptist Church; Anthony R. Cross, Emeritus Director of the Centre for Baptist History and Heritage, Oxford; Ruth M.B. Gouldbourne, former Tutor in Church History at Bristol Baptist College; Stephen R. Holmes, Senior Lecturer at the University of St Andrews; Mark Hopkins, Associate Professor of Church History, Theological College of Northern Nigeria; Bruce Milne, formerly Minister of First Baptist Church, Toronto; Michael Quicke, former Principal of Spurgeon's College, London; Brian Stanley, Professor of World Christianity, University of Edinburgh.

A groundbreaking — and terrifying — examination of the widespread resurgence of antisemitism in the 21st century, by the prize-winning and #1 internationally bestselling author of Hitler's Willing Executioners. Antisemitism never went away, but since the turn of the century it has multiplied beyond what anyone would have predicted. It is openly spread by intellectuals, politicians and religious leaders in Europe, Asia, the Arab world, America and Africa and supported by hundreds of millions more. Indeed, today antisemitism is stronger than any time since the Holocaust. In The Devil that Never Dies, Daniel Jonah Goldhagen reveals the unprecedented, global form of this age-old hatred; its strategic use by states; its powerful appeal to individuals and groups; and how technology has fueled the flames that had been smoldering prior to the millennium. A remarkable work of intellectual brilliance, moral stature, and urgent alarm, The Devil that Never Dies is destined to be one of the most provocative and talked-about books of the year. "No other writer has held mass murderers, deniers of truth, and propagators of hate to a higher standard of moral accountability than Daniel Jonah Goldhagen...The Devil That Never Dies doubtlessly will shatter the way people think about antisemitism." —Huffington Post

After A Sorta Fairytale was published, I was inundated with requests to talk more about my prose lyrics. One part of me felt that the text should speak for itself and that to 'explain' would be like naming the colours of a painting while forgetting to look at the picture. This was why I only explained some of the words and meanings contained within the book. Another part of me wanted to acknowledge the genuine interest people were showing and so I replied, haphazardly it seemed, to those who would have asked. For this publication I have decided to continue the theme but this time in full. I have, in response, provided some background to the pieces in the hope that the understanding of the words and meanings may have some uniformity. This, of course, will go part of the way to explain them, for it is also my hope that everyone who reads them may hold their own interpretation. I have written about them by searching for the genesis of the words in diaries and notebooks I have kept and so the background has, as a result, the flavour of a personal journal. It is, in a way, my book of days. It’s only when you finish the book – the stories and what they are saying – that you know. I write a piece. I work on it for a while and then leave it. I might not go back to these words for three, maybe six months. When I do go back, that’s where I try and see what the emotional feeling was, what was in the words. There is also reflection contained within this publication as I revisit just a few pieces, a process that presents (so I have been told) a fascinating portrait of a writer in a constant state of evolution. I have re-written some elements whilst keeping the essence of verse – making these something of a Director’s Cut but in word, not vision. For some time I have felt that I wanted to revisit some of my works and that they could benefit from having new life breathed into them and now these selections have another layer of work woven into their fabric. Nemesis has an arrangement of journeys, in the rain, through the length of a lifetime, amongst history, between emotions, and journeys across great oceans. So although it’s not a ‘themed’ collection of words, as such, there is an underlying connection between the pieces. These notes are only part of the equation.