One of the most widely read and studied texts composed in Late Antiquity is the prison diary of Vibia Perpetua, a young woman of the elite classes who was martyred in March of the year 202 or 203 C.E. in Carthage, as part of a civic celebration honoring Caesar Geta. She was well-married and had recently become the mother of a baby son, but despite her advantages, she refused to recant her faith when she was arrested with other recent converts to Christianity. Imprisoned with her was her pregnant slave Felicity. Perpetua's steadfastness in her belief led to her martyrdom in the amphitheater. A description of the heroic deaths of both women, and the autobiography of one of the leaders of the Christian community, Saturus, is woven into Perpetua's diary by an anonymous editor, who tells us that, as they died, Perpetua, Felicity, and the other condemned Christians bid farewell with a kiss of peace.This unique and precious text survives in one Greek and in nine Latin manuscript versions. Thomas Heffernan's new study contains much that has never been done before, including a prosopography of all the individuals mentioned in the Passion, a new English translation and the first detailed historical commentary in English on the entire narrative of the Passion. It also includes a newly edited version of the Latin text based on all the extant manuscripts and - rarer still - the Greek text. He concludes the book with a complete codicological description of all of the known manuscripts and thorough scholarly indices of the text itself. Perpetua's prison diary is a revered text of early Christianity, and Heffernan's new translation and commentary brings unprecedented scholarly resources to the much-loved Passion.

This volume gathers all available evidence for the martyrdoms of Perpetua and Felicitas, two Christian women who became, in the centuries after their deaths in 203 CE, revered throughout the Roman world. Whereas they are now known primarily through a popular third-century account, numerous lesser known texts attest to the profound place they held in the lives of Christians in late antiquity. This book brings together narratives in their original languages with accompanying English translations, including many related entries from calendars, martyrologies, sacramentaries, and chronicles, as well as artistic representations and inscriptions. As a whole, the collection offers readers a robust view of the veneration of Perpetua and Felicitas over the course of six centuries, examining the diverse ways that a third-century Latin tradition was appreciated, appropriated, and transformed as it circulated throughout the late antique world.

While concentrated on the famous Passio Perpetuae et Felicitatis, this book focuses on an area that has so far been somewhat marginalized or even overlooked by modern interpreters: the recontextualizing of the Passio Perpetuae in the subsequent reception of this text in the literature of the early Church. Since its composition in the early decades of the 3rd century, the Passio Perpetuae was enjoying an extraordinary authority and popularity. However, it contained a number of revolutionary and innovative features that were in conflict with existing social and theological conventions. This book analyses all relevant texts from the 3rd to 5th centuries in which Perpetua and her comrades are mentioned, and demonstrates the ways in which these texts strive to normalize the innovative aspects of the Passio Perpetuae. These efforts, visible as they are already on careful examination of the passages of the editor of the passio, continue from Tertullian to Augustine and his followers. The normalization of the narrative reaches its peak in the so-called Acta Perpetuae which represent a radical rewriting of the original and an attempt to replace it by a purified text, more compliant with the changed socio-theological hierarchies.

New edition with facing-page translation of a highly significant and influential Old English text.

The Collected Works of Marie-Louise von Franz is a 28 volume Magnum Opus from one of the leading minds in Jungian Psychology. Volume 6 heralds translations of material never before available in English. It explores the profound visions of two ground-breaking saints in the Catholic church, Saint Niklaus von Flüe and Saint Perpetua. Saint Niklaus von Flüe, the patron saint of Switzerland, was held in the highest esteem by both CG Jung and Marie-Louise von Franz. Jung even declared him the Patron Saint of Psychotherapy, due to the Saint’s deep inward reflections and profound experiences. His visions reportedly began while still in his mother’s womb and continued until his death. One of his later visions was a terrifying image of the face of God. Von Franz saw Niklaus as the shadow brother of Christ and wrote of him as the alchemical Anthropos, a universal man. His visions were an evolution of Christian mysticism. Saint Perpetua was a young Christian woman put to death in 203 AD in the Roman arena at the age of 22. Her profound visions occurred days before her death. Von Franz penetrates these images, suggesting they were revelations of a new, Christian God-image breaking through from the collective unconscious into the animus of young Perpetua. Marie-Louise von Franz is at her very best as she unravels the mysteries held within the visions of these two saints.

This is the first comprehensive overview of the influence of Platonism on the English literary tradition, showing how English writers, including Chaucer, Shakespeare, Milton, Blake, Wordsworth, Yeats, Pound and Iris Murdoch, used Platonic themes and images within their own imaginative work.