"This is an extraordinary book." —Progress in Human Geography "... fresh and fascinating." —Come-All-Ye "... an extraordinarily rich and rewarding book.... it is about the effort of one man to find for himself and us the life's breath of the people of Ballymenone.... It is certainly a remarkable tour de force." —Emmet Larkin, New York Times Book Review The life and art, the folklore, history, and common work of a rural community in Northern Ireland—through the eyes and pen of gifted folklorist Henry Glassie. It is a classic in the fullest sense, reaching beyond folklore to all of humanity.

In this fascinating analysis of eighteenth-century vernacular houses of Middle Virginia, Henry Glassie presents a revolutionary and carefully constructed methodology for looking at houses and interpreting from them the people who built and used them. Glassie believes that all relevant historical evidence - unwritten as well as written - must be taken into account before historical truth can be found. He in convinced that any study of man's past must make use of nonverbal and verbal evidence, since written history - the story of man as recorded by the intellectual elite - does not tell us much about the everyday life, thoughts, and fears of the ordinary people of the past. Such people have always been in the majority, however, and a way has to be found to include them in any valid history. In Folk Housing in Middle Virginia Glassie admirably sets forth such a way. The people who lived in Middle Virginia in the eighteenth century are almost unknown to history because so little has been written about them. After Glassie selected the area - roughly Goochland and Louisa counties - for study, he selected a representative part of the countryside, recorded all the older houses there, developed a transformational grammar of traditional house designs, and examined the area's architectural stability and change. Comparing the houses with written accounts of the period, he found that the houses became more formal and lee related to their environment at the same time as the areas established political, economic, and religious institutions were disintegrating. It is as though the builders of the houses were deliberately trying to impose order on the surrounding chaotic world. Previous orthodox historical interpretations of the period have failed to note this. Glassie has provided new insights into the intellectual and social currents of the period, and at that time has rescued a heretofore little-known people from historiographical oblivion. Combining a fresh, perceptive approach with a broad interdisciplinary body of knowledge, ha has made an invaluable breakthrough in showing the way to understand the people of history who have left their material things as their only legacy. Henry Glassie is College Professor of Folklore at Indiana University. He is the author of Pattern in the Material Folk Culture of the Eastern United States, passing the Time in Ballymenone, Irish Folktales, and The Spirit of Folk Art. He has served as president of the Vernacular Architecture Forum and the American Folklore Society.

Made of the words of the people who live today in the beautiful, embattled countryside of Ulster, Irish Folk History is, in essence, the people's own statement of their past. In story, song, and spontaneous essay, these texts, selected from Passing the Time in Ballymenone, tell of the coming of Christianity, of endless war, of the hardships and delights of rural life. During a time of trouble, Henry Glassie came into a community of active story-tellers in County Fermanagh in Northern Ireland, and in this book he sets their voices—their chuckles, whispers, and anger—before us. The words of Hugh Nolan, Michael Boyle, of Peter Flanagan, Hugh Patrick Owens, and their neighbors, echo from the page to present a tale that is at once the story of their tiny community and the story of all of Ireland.

For too many years American workers have been cut off from their own roots. When children go to school, they learn little about the people who work in factories and offices, their movements and their efforts for a better life. What is hidden from them is their own legacy, the heritage of culture and struggle handed on from other generations of working people. This book represents a new approach to history. It attempts to pass on that history from one group of workers to other workers, especially as workers and unions are at a crossroads, facing deteriorating conditions and even the permanent loss of jobs. But workers have faced these problems before, and surmounted them. This book can help all understand that our collective history helps us to face the challenges of the present and ones yet unknown of tomorrow. -- Publisher description.

Here are 125 magnificent folktales collected from anthologies and journals published from the mid-nineteenth century to the present day. Beginning with tales of the ancient times and continuing through the arrival of the saints in Ireland in the fifth century, the periods of war and family, the Literary Revival championed by William Butler Yeats, and the contemporary era, these robust and funny, sorrowful and heroic stories of kings, ghosts, fairies, treasures, enchanted nature, and witchcraft are set in cities, villages, fields, and forests from the wild western coast to the modern streets of Dublin and Belfast. Edited by Henry Glassie With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library

"A provocative interpretation of the art and architecture of a pre-modern wooden synagogue. Thomas C. Hubka immersed himself in medieval and early-modern Jewish history, religion, and culture to prepare for this remarkable study of the 18th-century Polish wooden synagogue in the town of Gwoździec, now in present Ukraine"--