Explores how the trope of racial passing continues to serve as a touchstone for gauging public beliefs and anxieties about race in this multiracial era. The first volume to focus on the trope of racial passing in novels, memoirs, television, and films published or produced between 1990 and 2010, Passing Interest takes the scholarly conversation on passing into the twenty-first century. With contributors working in the fields of African American studies, American studies, cultural studies, film studies, literature, and media studies, this book offers a rich, interdisciplinary survey of critical approaches to a broad range of contemporary passing texts. Contributors frame recent passing texts with a wide array of cultural discourses, including immigration law, the Post-Soul Aesthetic, contemporary political satire, affirmative action, the paradoxes of “colorblindness,” and the rhetoric of “post-racialism.” Many explore whether “one drop” of blood still governs our sense of racial identity, or to what extent contemporary American culture allows for the racially indeterminate individual. Some essays open the scholarly conversation to focus on “ethnic” passers—individuals who complicate the traditional black-white binary—while others explore the slippage between traditional racial passing and related forms of racial performance, including blackface minstrelsy and racial masquerade.

The first volume to focus on the trope of racial passing in novels, memoirs, television, and films published or produced between 1990 and 2010, Passing Interest takes the scholarly conversation on passing into the twenty-first century. With contributors working in the fields of African American studies, American studies, cultural studies, film studies, literature, and media studies, this book offers a rich, interdisciplinary survey of critical approaches to a broad range of contemporary passing texts. Contributors frame recent passing texts with a wide array of cultural discourses, including immigration law, the Post-Soul Aesthetic, contemporary political satire, affirmative action, the paradoxes of "colorblindness," and the rhetoric of "post-racialism." Many explore whether "one drop" of blood still governs our sense of racial identity, or to what extent contemporary American culture allows for the racially indeterminate individual. Some essays open the scholarly conversation to focus on "ethnic" passers—individuals who complicate the traditional black-white binary—while others explore the slippage between traditional racial passing and related forms of racial performance, including blackface minstrelsy and racial masquerade.

Public Law is concerned with the law governing the institutions of the state and the relationship between the state and the individual, and is a core subject for all students reading for a qualifying law degree. This concise, student-friendly guide will help equip students with an understanding of the key aspects of the UK’s political and legal systems as well as building an understanding of the relationship between the different branches of the state such as the executive, legislature and judiciary. Understanding Public Law provides a consideration of the main themes in a logical, progressive manner, highlighting the broader political and social contexts, and focusing on how and why the law has developed as it has. Throughout the text, key terms are identified and explained from the outset, helping students new to the subject familiarize themselves with the vocabulary of public law; chapter outlines and summaries help to focus the reader on the key topics; and a set of self-test questions at the end of each chapter encourage students to consider and reflect on what has been learnt. Understanding Public Law is the ideal introduction to this essential subject.

This book presents a new interpretation of the principle of utility in moral and political theory based on the writings of the classical utilitarians. The writings of Adam Smith, William Paley and Jeremy Bentham are also considered.

An extraordinary transformation is taking place in Australian sport; from suburban footy fields to stadium cage fights, sportswomen are breaking through the ‘grass ceiling’ and competing for a fair go. Where recently horses received more media coverage than female athletes, women are now commanding attention with undeniable performances and fierce determination. Through personal tales from a lifetime in sport, as well as interviews with pioneering athletes and administrators, journalist Angela Pippos provides a fascinating insight into the seismic shift occurring in the games we play. Breaking the Mould is a timely, entertaining and compelling reminder of why we must level the playing field permanently, so that every woman has the opportunity to become her sporting best.