Passe-Partout is a three stage French course with a step-by-step methodology.

PASSE-PARTOUT is a story of two lives--two narratives centuries apart, both tasked with unraveling the mystery of a hidden magic known as "Writing" and the corruption its practice brings to all who live. Paul Fischer is driven to decipher the corruption of a strange abandoned address in the heart of a metropolis, and the possible cause of his father's death. Cyprus, a second man separated by untold generations in the past, arrives at the cabin of his mentor Amos, only to find two graves: that of Amos; and one of an unknown woman. Seeking to understand their fate, Cyprus discovers and uses "Writing" to unlock the door between realities. Taking place in realities not our own, the two men discover the horrors binding their fates together with creatures from a multitude of Hells conjured to silence them.

Most people notice that something is going wrong in their lives, but don't know how to change things for the better. And Daniel Bosshard was in exactly this situation. In the book "Passepartout" he shows how he found his way out of this position. He does not proceed in a highly scientific and lecturing manner, but shows in a relaxed style how he found a better self and what can be derived from his story. It is a lot about self-reflection, toxic connections, but also philosophy or lifestyle. For all seekers who want to find their own way.

'Passe-Partout', a three stage French course with an accessible step-by-step methodology, provides a supportive and motivating approach, enabling all of your students to succeed. It has been specifically written to the requirements of the revised National Curriculum and GCSE as well as the 5-14 Guidelines and Standard grade.

Passe-Partout is a three stage French course with an accessible step-by-step methodology which provides a supportive and motivating approach, enabling all of your students to succeed. It has been specifically written to the requirements of the revised National Curriculum and GCSE as well as the 5-14 Guidelines and Standard grade.

"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal