Autobiography of a former chief minister of Andhra Pradesh, India.

In "The Birthday Party", a musician becomes the victim of a ritual murder. Everyone implacably plays out the role assigned to them by fate. "The Room" becomes the scene of a visitation of fate when a blind Negro suddenly arrives to deliver a mysterious message.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 27 APRIL, 1980 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XLV, No.17 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 5-22, 33-51 ARTICLE: 1. Environmental Pollution: The larger Question 2. The Temples of Chamba 3. Pictures-Two Dimensional And Three Dimensional 4. The Wisdom of The Upanishads 5. Mysteries of The Climate 6. Forests for Our Survival 7. Alcohol For automobiles 8. How to Become A Good Broadcaster AUTHOR: 1. A Discussion 2. V.K. Subramanian 3. Prof. M.B. Vichare 4. S. Sankaranarayanan 5. Dr. P.K. Das 6. G.N. Raina 7. Prof. K.K. Rohatgi Mukherjee 8. K. R. Pandey KEYWORDS : 1. Environment,The Problem of Environment, the University Grant Commission, the National Council Of Education 2. Architecture 3. Colour Cinematography 4. Momentous Consequence 5. A Study Programme 6. Erosion and Pollution 7. Gasobol 8. Language Document ID : APE-1980 (M-J)- Vol-XLV-05 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Contents: 1. Literary Terms 2. Earlier Trends in Fiction 3. Trends in 20th and 21st Century Fiction 4. A Tale of Two Cities (By Clarles Dickens) 5. Far From The Madding Crowd (By Thomas Hardy) 6. Pride and Prejudice (By Jane Austen) 7. The Mill On The Floss (By George Eliot) 8. The Bluest Eye (By Toni Morrison) 9. To Kill a Mockingbird (By Harper Lee) 10. The Old Man And The Sea (By Ernest Hemingway) 11. The Grapes Of Wrath (By John Steinbeck) 12. The White Tiger (By Arvind Adiga) 13. Dalits, Dynasty and She (By Sanjay Chitranshi) 14. Dollar Bahu (By Sudha Murthy). Additional Information: The author of this book is R. Bansal.

Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.

Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.