First book-length treatment of a fascinating medieval French romance, underlining its influence in the genre. Partonopeus de Blois is one of the most important works of twelfth-century French fiction; it shaped the development of romance as a genre, gave rise to adaptations in several other medieval languages and even an opera (Massanet's Esclarmonde). However, partly because of its complicated transmission history, and partly due to the fact that it has been overshadowed by the works of Chrétien de Troyes, it has been unjustly neglected. This firstfull-length study of the romance brings together literary, historical and manuscript studies to explore its making as it evolved through seven medieval "editions", the earliest of which probably predated most of Chrétien's romances. The book's thematic analyses show how the Partonopeus poet applied established techniques of rewriting to a wide range of classical, vernacular and Celtic sources, combining this literary fusion with political subtexts to create a new and influential model of romance composition. Detailed studies of the Continuation reveal more ambitious experimentation by the original author, as well as the activities of a series of "editors" who continued to modify the text for over a century. A final discussion of patronage proposes a new reading of the poem's distinct narratorial interventions on women and love, and suggests a link between Partonopeus and a disturbing episode in the history of Blois. Penny Eley is Professor of Medieval French at the University of Sheffield.

First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers.

This book explores the rich, complex, literary tradition of the medieval go-between. Idealized going between usually leads to marriage and it develops a new dimension of the much debated question of courtly love and woman's part in it. Chaucer's Pandarus's place in this go-between tradition is a tour de force.

An examination of what the translation of medieval French texts into different European languages can reveal about the differences between cultures.

This volume assembles a wide range of scholars and critical methodologies to suggest multiple interpretations of the vital connection linking literary imagination and the human experience of reality. In varying ways and with varying intent, it speaks to the essential experience of participating in imaginative worlds, offering different accounts of how language signifies in real and imaginary contexts, and why people read and write rival realities. Taking as point of departure Aristotle's definition of poesis, it questions how literature stands in both mimetic and transformative relation to the givens of history, reworking them within the order of imagination and desire. Through historical, linguistic, and literary analysis of texts spanning nine centuries, it demonstrates how though it is irreducible to reality, literary imagination conveys something very real about the human response to the world, including the knowledge and power proper to such experience; neither history nor lie, it discloses a reality purged of extraneous detail, making what is essential to human experience more concentrated and dramatic. Thus made apparent is that literature and history do not exclude each other, but inform, correct, and supplement each other, underscoring the complexities of thought and imagination.

The Protean Ass provides the most comprehensive account (in any language) of the reception of The Golden Ass (or Metamorphoses) of Apuleius, the only work of Latin prose fiction worthy of the name of 'novel' to survive intact from the ancient world. Apuleius' second-century account of the curious young man who is changed into a donkey following an affair with a witch's slave-girl, and undergoes a series of adventures (involving robbery, adultery, buggery, and bestiality) before a divine vision transforms him into a disciple of the goddess Isis, has delighted, perplexed, and inspired readers as diverse as St Augustine, Petrarch, Boccaccio, Sidney, Spenser, Shakespeare, and Milton. Robert H. F. Carver traces readers' responses to the novel from the third to the seventeenth centuries in North Africa, Italy, France, Germany, and England