Spiritual conversions figure heavily in such novels as Thomas Pynchon's Vineland, Toni Morrison's Paradise, and Louise Erdrich's Love Medicine. What connects such varied works is that their convert-characters are disenchanted with secularism yet apprehensive of dogmatic religiosity. Partial Faiths is the first study to identify a body of contemporary fiction in such terms, take the measure of its structures and strategies, and evaluate its contribution to public discourse on religion's place in postmodern life. Postsecularism is most often associated with philosophers and theorists such as Jacques Derrida, Richard Rorty, Charles Taylor, William Connolly, Jürgen Habermas, and Gianni Vattimo. But it is also being explored and invented, says John A. McClure, by many novelists: Leslie Marmon Silko, Don DeLillo, Michael Ondaatje, and N. Scott Momaday among others. These novelists, who are often regarded as belonging to different domains of contemporary fiction, are fleshing out the postsecular issues that scholars treat more abstractly. But the modes of belief elaborated in these novels and the new narrative forms synchronized with these modes are dramatically partial and open-ended. Postsecular fiction does not aspire to any full "mapping" of the reenchanted cosmos or any formal moral code, nor does it promise anything like full redemption. It is partial in another sense as well: it is emphatically dedicated to progressive ideals of social transformation and well-being, in repudiation of resurgent fundamentalist prescriptions for the same.

Faith lies at the heart of human life, and not just in religious contexts. But just what is faith? In this book William Lad Sessions ventures a new approach to this age-old problem. Viewing it in global terms, he provides an effective and insightful set of analytical tools for deepening our understanding of the ideas of belief.

Of the many challenges facing liberal democracy, none is as powerful and pervasive today as those posed by religion. These are the challenges taken up in Obligations of Citizenship and Demands of Faith, an exploration of the place of religion in contemporary public life. The essays in this volume suggest that two important shifts have altered the balance between the competing obligations of citizenship and faith: the growth of religious pluralism and the escalating calls of religious groups for some measure of autonomy or recognition from democratic majorities. The authors--political theorists, philosophers, legal scholars, and social scientists--collectively argue that more room should be made for religion in today's democratic societies. Though they advocate different ways of carving out and justifying the proper bounds of "church and state" in pluralist democracies, they all write from within democratic theory and share the aim of democratic accommodation of religion. Alert to national differences in political circumstances and the particularities of constitutional and legal systems, these contributors consider the question of religious accommodation from the standpoint of institutional practices and law as well as that of normative theory. Unique in its interdisciplinary approach and comparative focus, this volume makes a timely and much-needed intervention in current debates about religion and politics. The contributors are Nancy L. Rosenblum, Alan Wolfe, Ronald Thiemann, Michael McConnell, Graham Walker, Amy Gutmann, Kent Greenawalt, Aviam Soifer, Harry Hirsch, Gary Jacobsohn, Yael Tamir, Martha Nussbaum, and Carol Weisbrod.

The centrality and importance of the intersection of Christianity and culture when it comes to English-speaking countries and particularly American culture, history, and politics is beyond doubt. The Routledge Handbook of Christianity and Culture is an outstanding reference source to the key topics, problems, and debates in this exciting subject. Comprising over 35 chapters by a team of international contributors, the handbook is divided into five parts: • Practicing Christianity • Christianity and the Word • Social and Political Aspects of Christianity and Culture • Christianity and Culture in a Global Context • Christianity and the Arts Within these parts, central issues, debates, and problems are examined including liturgy, material Christianity, education, missions, religion and science, hermeneutics, Bible translations, Christian wars, human rights, law, social action, the secular, ecumenicalism, inter-religious relations, visual arts, literature, music, theatre, and film. The Routledge Handbook of Christianity and Culture is essential reading for students and researchers of religious studies and Christian studies. The handbook will also be very useful for those in related fields, such as cultural studies, area studies, visual studies, literature, and material religion.

This book deals with the intricate issue of approaching atheism—methodologically as well as conceptually—from the perspective of cultural pluralism. What does ‘atheism’ mean in different cultural contexts? Can this term be applied appropriately to different religious discourses which conceptualize God/gods/Goddess/goddesses (and also godlessness) in hugely divergent ways? Is my ‘God’ the same as yours? If not, then how can your atheism be the same as mine? In other words, this volume raises the question: Is it not high time that we proposed a comparative study of atheism(s) alongside that of religions, rather than believing that atheism is centered in the ‘Western’ experience? Apart from answering these questions, the book highlights the much-needed focus on the philosophical negotiations between atheism, theism and agnosticism. The fine chapters collected here present pluralist negotiations with the notion of atheism and its ethical, theological, literary and scientific corollaries. Previously published in Sophia Volume 60, issue 3, September 2021 Chapters “Religious Conversion and Loss of Faith: Cases of Personal Paradigm Shift?” and “On Being an Infidel” are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

How can intense religious beliefs coexist with pluralism in America today? Examining the role of the religious imagination in contemporary religious practice and in some of the best-known works of American literature from the past fifty years, Postmodern Belief shows how belief for its own sake--a belief absent of doctrine--has become an answer to pluralism in a secular age. Amy Hungerford reveals how imaginative literature and religious practices together allow novelists, poets, and critics to express the formal elements of language in transcendent terms, conferring upon words a religious value independent of meaning. Hungerford explores the work of major American writers, including Allen Ginsberg, Don DeLillo, Cormac McCarthy, Toni Morrison, and Marilynne Robinson, and links their unique visions to the religious worlds they touch. She illustrates how Ginsberg's chant-infused 1960s poetry echoes the tongue-speaking of Charismatic Christians, how DeLillo reimagines the novel and the Latin Mass, why McCarthy's prose imitates the Bible, and why Morrison's fiction needs the supernatural. Uncovering how literature and religion conceive of a world where religious belief can escape confrontations with other worldviews, Hungerford corrects recent efforts to discard the importance of belief in understanding religious life, and argues that belief in belief itself can transform secular reading and writing into a religious act. Honoring the ways in which people talk about and practice religion, Postmodern Belief highlights the claims of the religious imagination in twentieth-century American culture.