Agnes Boulton's memoir of her first two years of marriage to Eugene O'Neill was published in 1958, two years after the premiere of O'Neill's masterpiece, Long Day's Journey into Night. Contemporary critics dismissed the book as impressionistic, and it received little popular attention. Now held as a classic depicting one woman's strivings for self-representation, this new edition restores two sections previously excised for now-obsolete legal reasons. The new text features corrected misspellings and the addition of footnotes to clarify reference points and correct errors. Boulton's memoir represents an important addition to women's literature, as well as literary biography and autobiography.

Illustrating concepts and types of toxicity from a mechanistic point of view, this book focuses on research procedures in toxicology. The book uses examples of chemical intoxicants to illustrate mechanisms in each stage of toxicity.

"An engrossing biography about the marital breakdown of a major literary figure, of particular interest for what it reveals about O'Neill's creative process, activities, and bohemian lifestyle at the time of his early successes and some of his most interesting experimental work. In addition, King's discussion of Boulton's efforts as a writer of pulp fiction in the early part of the 20th century reveals an interesting side of popular fiction writing at that time, and gives insight into the lifestyle of the liberated woman." ---Stephen Wilmer, Trinity College, Dublin Biographers of American playwright Eugene O'Neill have been quick to label his marriage to actress Carlotta Monterey as the defining relationship of his illustrious career. But in doing so, they overlook the woman whom Monterey replaced---Agnes Boulton, O'Neill's wife of over a decade and mother to two of his children. O'Neill and Boulton were wed in 1918---a time when she was a successful pulp novelist and he was still a little-known writer of one-act plays. During the decade of their marriage, he gained fame as a Broadway dramatist who rejected commercial compromise, while she mapped that contentious territory known as the literary marriage. His writing reflected her, and hers reflected him, as they tried to realize progressive ideas about what a marriage should be. But after O'Neill left the marriage, he and new love Carlotta Monterey worked diligently to put Boulton out of sight and mind---and most O'Neill biographers have been quick to follow suit. William Davies King has brought Agnes Boulton to light again, providing new perspectives on America's foremost dramatist, the dynamics of a literary marriage, and the story of a woman struggling to define herself in the early twentieth century. King shows how the configuration of O'Neill and Boulton's marriage helps unlock many of O'Neill's plays. Drawing on more than sixty of Boulton's published and unpublished writings, including her 1958 memoir, Part of a Long Story, and an extensive correspondence, King rescues Boulton from literary oblivion while offering the most radical revisionary reading of the work of Eugene O'Neill in a generation. William Davies King is Professor of Theater at the University of California, Santa Barbara, and author of several books, most recently Collections of Nothing, chosen by Amazon.com as one of the Best Books of 2008. Illustration: Eugene O'Neill, Shane O'Neill, and Agnes Boulton ca. 1923. Eugene O'Neill Collection, Beinecke Rare Book and Manuscript Library, Yale University.

“Like the best of the Bard himself, Long Story Short combines dazzling repartee with iconic, nuanced characters and the kind of charged, perfectly paced romance fit for the world stage...a sparkling Shakespearean homage and a wonderful debut.” —Emily Wibberley and Austin Siegemund-Broka, authors of Always Never Yours In Serena Kaylor's sparkling debut, a homeschooled math genius finds herself out of her element at a theater summer camp and learns that life—and love—can’t be lived by the (text)book. Growing up homeschooled in Berkeley, California, Beatrice Quinn has always dreamed of discovering new mathematical challenges at Oxford University. She always thought the hardest part would be getting in, not convincing her parents to let her go. But while math has always made sense to Beatrice, making friends is a problem she hasn’t been able to solve. Before her parents will send her halfway across the world, she has to prove she won’t spend the next four years hiding in the library. The compromise: the Connecticut Shakespearean Summer Academy and a detailed list of teenage milestones to check off. If Beatrice wants to live out her Oxford dream, she has to survive six weeks in the role of “normal teenager” first. Unfortunately, hearts and hormones don't follow any equations. When she's adopted by a group of eclectic theater kids, and immediately makes an enemy of the popular—and annoyingly gorgeous—British son of the camp’s founders, Beatrice quickly learns that relationships are trickier than calculus. With her future on the line, this girl genius stumbles through illicit parties, double dog dares, and more than her fair share of Shakespeare. But before the final curtain falls, will Beatrice realize there’s more to life than what she can find in the pages of a book?

A Moth storytelling champion shows you how to leave your audience spellbound in this bestselling, practical guide to powerful storytelling—through writing, public speaking, and more. Using a fun, irreverent, and infographic approach, Margot Leitman breaks storytelling into concrete components. Whether you want to write a great wedding toast, deliver a compelling keynote speech, or simply entertain friends and family, comedian and Moth 5-time champion storyeller Margot Leitman provides a clear and engaging roadmap to telling your own personal stories in this approachable storytelling guide. From content and structure to emotional impact and delivery, Leitman guides you through the entire storytelling process, providing personal anecdotes, relatable examples, and practical exercises along the way. Table of Contents Part 1: Getting Started Chapter 1. You Already Have Great Stories Chapter 2. Getting Past Fear Chapter 3. The Truth Chapter 4. The Universal Theme Chapter 5. The Thesis-Based Story Part 2: Elements of a Story Chapter 6. Passion Chapter 7. Layering a Story Chapter 8. Perspective Chapter 9. Character Chapter 10. Rooting for the Storyteller Chapter 11. The Full Circle Chapter 12. Someone Else’s Story Chapter 13. The Unexpected Chapter 14. The Benign Part 3: The Performance and Beyond Chapter 15. How to Memorize & Vocalize a Story Chapter 16. The Business of Storytelling "This book is essential—a reminder that the world would be a better place if everyone knew how to tell a good story." —Diana Spechler, author and seven-time Moth StorySLAM winner

THE STORY: This is a fresh and heartfelt play about love, time and the infinite directions in which two lives can travel. Hope and Charles are a pair of lonely twenty-somethings about to end a supremely uninteresting first date. But just as they sa