Who were your forbears? What sort of humans were we? What kind of world have we moved about? How as a family have we lived and how have we interacted with people around us? The contents of this book will very likely be of immense value to two or more generations down the line, specifically the grandchildren of our grandchildren, in the same manner as I, at this moment, would pay a price to see and learn how our forbears of past two or more generations lived within the context indicated above.

The Booker Prize–nominated author of Derby Day delivers a sumptuous cultural history as seen through the lives of four enigmatic women. Who were the Lost Girls? Chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became the mistress of the King of Egypt. They had very different—and sometimes explosive—personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. They are the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story.

In 1999, the discovery of a young woman's mummified body beneath a mansion in Long Island, New York, captivated the nation's imagination. The ensuing police investigation and the unusual twists in the case caught the attention of television producers, who featured the true crime tale of Reyna Angelica Marroquin on CBS's 48 Hours, Forensic Files and an episode of Law and Order. Oscar Corral was the lead reporter on that story for Newsday, and tracked down the victim's family 30 years later in El Salvador to break the news to them about Reyna. This fiction novel is based on the true crime case of the Long Island Mummy. This is a novel loosely based on the true-crime case.

First published in 1972, Jonathan Gathorne-Hardy's The Rise and Fall of the British Nanny became an instant classic of social history - a groundbreaking study of the golden era of an extraordinary and exclusive British institution. Drawing upon extensive paper research and interviews with former nannies and their charges, Gathorne-Hardy offers 'a study of a unique and curious way of bringing up children, which evolved among the upper and upper-middle-classes during the nineteenth century, flourished for approximately eighty years and then, with the Second World War, vanished for ever.' The nanny hereby earns her place in the story of the British Empire; also in the histories of psychology, child-rearing and British ruling class mores. 'Marvellously researched and beautifully written.' W. H. Auden, Observer 'Enough to delight the sternest critic.' Auberon Waugh, Harpers & Queen

Frances Partridge: the last survivor of the Bloomsbury group - the authorised biography. Frances Partridge was one of the great British diarists of the 20th century. She became part of the Bloomsbury group encountering Virginia Woolf, Lytton Strachey, the Bells, Roger Fry, Maynard Keynes, Dora Carrington and Ralph Partridge. She and Ralph fell in love and married in 1933. During the Second World War they were committed pacifists and they enjoyed the happiest times of their lives together, entertaining friends such as E.M. Forster, Robert Kee and Duncan Grant. Despite losing both her husband and son, Frances maintained an astonishing appetite for life, whether for her friends, travelling, botany, or music. Her diaries (which she continued to write until her death in 2004) chronicle her life from the 1930s onwards. Their publication brought her recognition and acclaim, and earned her the right to be seen not as a minor character on the Bloomsbury stage but standing at the centre of her own.

The first extensive collection of letters written by war hero and travel writing legend Patrick Leigh Fermor. Handsome, spirited, and erudite, Patrick Leigh Fermor was a war hero and one of the greatest travel writers of his generation. He was also a wonderful friend. The letters in this collection span almost seventy years, the first written ten days before Paddy’s twenty-fifth birthday, the last when he was ninety-four, and the correspondents include Deborah Devonshire, Nancy Mitford, Lawrence Durrell, Diana Cooper, and his lifelong companion, Joan Rayner. The letters exhibit many of Fermor’s most engaging characteristics: his lust for life, his unending curiosity, his lyrical descriptive powers, his love of language, his exuberance, and his tendency to get into scrapes—particularly when drinking and, quite separately, driving. Here are plenty of extraordinary stories: the hunt for Byron’s slippers in one of the remotest regions of Greece; an ignominious dismissal from Somerset Maugham’s Villa Mauresque; and hiding behind a bush to dub Dirk Bogarde into Greek during the shooting of Ill Met by Moonlight. The letters radiate warmth and gaiety; many are enhanced with witty illustrations and comic verse, while others contain riddles and puns. Every one of them entertains.

THE TIMES BEST ART BOOK OF THE YEAR • FINALIST FOR THE PLUTARCH AWARD AND THE APOLLO AWARD • “There are not many biographical masterpieces, but…Mark Stevens and Annalyn Swan have produced one,” wrote the novelist John Banville of Francis Bacon: Revelations. By the Pulitzer prize-winning authors of de Kooning: An American Master, this acclaimed biography contains a wealth of never before known details about one of the iconic artists of the 20th century—a singularly private, darkly funny, eruptive man and his extraordinary art, whose iconoclastic charm “keeps the pages turning” (The Washington Post). Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.