Park City was incorporated in 1907 as a Tennessee municipality. From its inception in the 1890s, Park City became a melting pot of Greek, Swiss, Jewish, African American, German, Italian, and Scotch-Irish entrepreneurs of the late 19th and early 20th centuries. Cal Johnson, a former slave and resident of Park City, became one of the wealthiest men in Tennessee. Johnson invested in race horses, taverns, and real estate, and he operated a race track in Burlington on the eastern edge of Park City. The half-mile track is still intact as a city street known as Speedway Circle. Today, Park City is a virtual museum of Victorian homes designed by mail-order architect and Park City resident George F. Barber. The residence he designed and built for himself still stands on Washington Avenue. Other highlights include Park City's pre-Civil War history and important trade expositions of national significance hosted in Park City from 1910 to 1913. In 1917, Park City was annexed into the city of Knoxville, but the community retained its cultural and historical identity for many years around Chilhowee Park. Once a privately owned estate and lake, Chilhowee Park became Park City's social center, welcoming such notable figures as Teddy Roosevelt, William Jennings Bryan, and Louis Armstrong.

The Accidental Playground explores the remarkable landscape created by individuals and small groups who occupied and rebuilt an abandoned Brooklyn waterfront. While local residents, activists, garbage haulers, real estate developers, speculators, and two city administrations fought over the fate of the former Brooklyn Eastern District Terminal (BEDT), others simply took to this decaying edge, transforming it into a unique venue for leisure, creative, and everyday practices. These occupiers and do-it-yourself builders created their own waterfront parks and civic spaces absent every resource needed for successful urban development, including plans, designs, capital, professional assistance, consensus, and permission from the waterfront’s owners. Amid trash, ruins, weeds, homeless encampments, and the operation of an active garbage transfer station, they inadvertently created the “Brooklyn Riviera” and made this waterfront a destination that offered much more than its panoramic vistas of the Manhattan skyline. The terminal evolved into the home turf for unusual and sometimes spectacular recreational, social, and creative subcultures, including the skateboarders who built a short-lived but nationally renowned skatepark, a twenty-five-piece “public” marching band, fire performance troupes, artists, photographers, and filmmakers. At the same time it served the basic recreational needs of local residents. Collapsing piers became great places to catch fish, sunbathe, or take in the views; the foundation of a demolished warehouse became an ideal place to picnic, practice music, or do an art project; rubble-strewn earth became a compelling setting for film and fashion shoots; a broken bulkhead became a beach; and thick patches of weeds dotted by ailanthus trees became a jungle. These reclamations, all but ignored by city and state governments and property interests that were set to transform this waterfront, momentarily added to the distinctive cultural landscape of the city’s most bohemian and rapidly changing neighborhood. Drawing on a rich mix of documentary strategies, including observation, ethnography, photography, and first-person narrative, Daniel Campo probes this accidental playground, allowing those who created it to share and examine their own narratives, perspectives, and conflicts. The multiple constituencies of this waterfront were surprisingly diverse, their stories colorful and provocative. When taken together, Campo argues, they suggest a radical reimagining of urban parks and public spaces, and the practices by which they are created and maintained. The Accidental Playground, which treats readers to an utterly compelling story, is an exciting and distinctive contribution to the growing literature on unplanned spaces and practices in cities today.

Meet Cato Kwong - disgraced cop and ex-poster boy for the metropolitan police force. The world is in economic meltdown but a mining town on the edge of nowhere is booming. With the town's population exploding, it's easy enough to hide a crime - or a dirty past.

Making Space studies the built environment by examining the private-sector forces responsible for its development and the urban planning systems put in place to influence, guide and manipulate its outcomes. The first part provides a theoretical context for understanding the functions of the property development sector and the state's interventions through the medium of urban planning. It analyses the relationship between planning and development, and focuses on the increasingly widespread adoption of more pro-active entrepreneurial planning agendas as a response to a growing disenchantment with traditional regulatory approaches. The second part comprises case studies (drawn from Australia, New Zealand, the USA, the United Kingdom and Ireland) which investigate the ways in which urban planning in different socio-political contexts has influenced the outcomes of the property development process as well as the manner in which such planning systems have changed in order to enhance their influence.

Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. “Rejecting the easy abstractions and postmodern playfulness of noir and neo-noir criticism, Holmes places 1970s crime films, as he says, ‘in relation to the urban context that was their location, setting, and subject.’ He does this brilliantly, convincingly, and uniquely.” — David Desser, former editor, Cinema Journal

Discover brooding mountains, dense forests, and the "greatest snow on earth," just beyond the city limits. Inside Moon Salt Lake, Park City & the Wasatch Range you'll find: Flexible itineraries, from weekends in Salt Lake or Park City to day trips to nearby ski resorts and state parks Strategic advice for outdoors lovers, families, craft beer enthusiasts, festival-goers, and more Outdoor adventures: Ski the legendary powder at one of Cottonwood Canyons' four resorts, kayak the otherworldly Great Salt Lake, and venture into the vast Uinta Mountains and picnic by a high alpine lake. Climb to the top of Mount Timpanogos for sweeping views, test your nerve on a steep rock-climbing route in Little Cottonwood Canyon, or marvel at the fall color in Wasatch Mountain State Park Must-see highlights and unique experiences: Immerse yourself the Wild West-meets-Hollywood vibe of Sundance, uncover Mormon history at Temple Square, stroll Ogden's historic main street, and kick back with a craft beer at one of Utah's many emerging breweries Honest advice from Park City local Maya Silver on when to go, where to eat, and where to stay Full-color photos and detailed maps throughout Focused coverage of Salt Lake City, Park City, Big and Little Cottonwood Canyons, Ogden, the Great Salt Lake Desert, the Wasatch Back, Oakley, Kamas, and the Uintas Thorough background on the culture, weather, wildlife, and history Find your adventure with Moon Salt Lake, Park City & the Wasatch Range. Looking for coverage of the whole state? Try Moon Utah. Exploring nearby? Pick up Moon Zion & Bryce.