Turn of the century Paris is often referred to as the belle époque, a golden age of affluence and artistic creativity before the turmoil of the First World War. This was the Paris of artists such as Bonnard, Rodin, Seurat and Vuillard, as well as writers and musicians such as Debussy, Zola and Maupassant. The Eiffel Tower had just been built and the Moulin Rouge was in its heyday - Paris was the cosmopolitan capital of pleasure and culture. The architecture of the period, however, has generally been neglected known only for the Art Nouveau designs of Guimard's Metro entrances and restaurants such as Maxim's. This book, based on a thorough survey of Parisian buildings of the era, connects the medievalism of Viollet-le-Duc, the classical tradition of the Ecole des Beaux-Arts and early developments in metal and concrete construction with modern pioneers like Perret, de Baudot and Sauvage. Including the exuberant designs by architects working in the 'Ritz style', as well as the work of a multitude of architects whose names are at present unknown, Parisian Architecture of the Belle Epoque is a truly comprehensive and visually sumptuous study of this under exposed period of architecture.

A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising—Paris in 1871 was a shambles, and the question loomed, "Could this extraordinary city even survive?" With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.

The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.

Cairo, 'Mother of the World': its vividly diverse neighborhoods and building styles reveal its cosmopolitan energy and reflect the myriad of economic, political, and cultural forces that have shaped the city over the centuries. So impressed was Khedive Ismail after a visit to Haussman's 'new' Paris in 1867 that he decided to build a modern city along the same architectural lines and aesthetics, and brought European architects to Cairo to initiate Egypt's most dynamic building period since medieval times. The stunning buildings of late-nineteenth- and early-twentieth-century Cairo remain, but they are neglected, threatened by pollution, and are being pulled down for concrete highrises and parking lots. Paris along the Nile captures in 200 black-and-white photographs the architectural jewels of 'modern' Cairo.

The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.

A classic history of the creation of modern Paris by Napoleon III and Haussmann Between 1850 and 1870, Napoleon III and his Prefect of the Seine, Baron Haussmann, created the modern city of Paris out of the congested and ill-equipped capital of the eighteenth century. They gave Paris many of its present major streets, its great municipal parks, the Central Markets, the Opera House and other well-known buildings, and a water supply system and sewer network that still serve the city. In Napoleon III and the Rebuilding of Paris, David Pinkney tells the story of how Paris was transformed and examines the many challenges that the venture faced, including an increasing population, engineering problems, political complications, and personality clashes. Pinkney sets the undertaking in the context of French political and economic history, shows its relation to the public health movement of the mid-nineteenth century, and explains its significance in the history of city planning.

Originally published: New York: Berkley Books, 2016.