This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.

A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.

This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.

A photographic essay recounting the creation and installation of the Statue of Liberty. The Statue of Liberty is known around the world as a symbol of freedom and democracy. Poet Emma Lazarus' words inscribed on its pedestal -- Give me your tired, your poor, your huddled masses yearning to breathe free -- beckon the poor and oppressed everywhere. Fittingly perhaps, the installation of the Statue of Liberty was no small feat. When its size and scale became a reality, the creators in France and the United States were faced with a number of colossal challenges. The solution would be an unusual and groundbreaking union of art and technology. Lady Liberty recounts the conception, construction, assembly and installation of the statue in rarely seen photographs and informative text. It shows how French sculptor Auguste Bartholdi used photographs and photomontages -- notably, a giant panorama of the city of New York -- to study the site chosen for his statue and to monitor its construction, which was taking place in Paris. The photographs showing the progress of the statue also became a great communication tool. Financing the colossal gift from France to America took massive fundraising that only innovative advertising could generate. It would give birth to the now-familiar method of exploiting the immediacy of photography to drive commerce. Lady Liberty traces both the expected and the surprising elements of the statue's construction and assembly, and show how the image of the statue oscillated between reality and fiction. They record a vast utopian project that lasted 20 years and was marked by the major political, social, architectural and aesthetic influences of the time. For all Americans, for historians, for photography aficionados, for students young and old, for newcomers welcomed by Lady Liberty, this book takes readers on a journey through the unknown life of one of the world's most powerful icons.