Paris Universal Exhibition of 1867. Catalogue of the British Section

Paris Universal Exhibition of 1867. Catalogue of the British Section
Title Paris Universal Exhibition of 1867. Catalogue of the British Section PDF eBook
Author Great Britain
Publisher
Pages 1204
Release 1867
Genre Exposition universelle de 1867 à Paris
ISBN

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The Hammock: A Novel Based on the True Story of French Painter James Tissot

The Hammock: A Novel Based on the True Story of French Painter James Tissot
Title The Hammock: A Novel Based on the True Story of French Painter James Tissot PDF eBook
Author Lucy Paquette
Publisher
Pages 356
Release 2020-10-03
Genre Art
ISBN 9780578735221

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THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

Catalogue of the British Section

Catalogue of the British Section
Title Catalogue of the British Section PDF eBook
Author
Publisher
Pages 1492
Release 1868
Genre Exposition universelle de 1867 à Paris
ISBN

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Beyond Chinoiserie

Beyond Chinoiserie
Title Beyond Chinoiserie PDF eBook
Author Petra ten-Doesschate Chu
Publisher BRILL
Pages 339
Release 2018-11-01
Genre Art
ISBN 9004387838

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The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western “vision of Cathay” formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers’ attempts to extend a sphere of influence in China led to increasingly hostile political interactions.

Displaying the Orient

Displaying the Orient
Title Displaying the Orient PDF eBook
Author Zeynep Ç Elik
Publisher Univ of California Press
Pages 268
Release 1992-01-01
Genre Architecture
ISBN 9780520074941

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Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.

Cultures of International Exhibitions 1840-1940

Cultures of International Exhibitions 1840-1940
Title Cultures of International Exhibitions 1840-1940 PDF eBook
Author Dr Marta Filipova
Publisher Ashgate Publishing, Ltd.
Pages 377
Release 2015-07-28
Genre Art
ISBN 1472432819

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Beyond the world fairs in London, Paris or Chicago, numerous smaller, ambitious exhibitions took place in provincial cities and towns worldwide. This volume takes a novel look at the exhibitionary cultures of the period 1840-1940. By examining the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries, the volume opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional.

The Steinway Saga

The Steinway Saga
Title The Steinway Saga PDF eBook
Author Don W. Fostle
Publisher Scribner Book Company
Pages 744
Release 1994
Genre Biography & Autobiography
ISBN

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For generations, the name Steinway has been synonymous with both high culture and American business prowess. Based on exclusive access to family and corporate archives, this vivid and informative book tells the definitive story of the truth behind the myths of the house of Steinway and Sons. Photos.