Mazarin was the model statesman of the early modern period in French history. This book follows his career from pupil of the Jesuits, through legate in Paris and Avignon, to service for Louis XIII and beyond. Mazarin's role in the survival of absolute monarchy during the upheavals of the Fronde and his guidance of the young Louis XIV are given full weight. His crucial part in many diplomatic exchanges, and in particular those which brought an end to the Thirty Years War and the Franco-Spanish War, is examined in detail. His life is placed in the context of a study of the times, highlighting the rapidly changing nature of government.

The first historical overview of the partnership between science and the state from the Scientific Revolution to World War II.

By the eighteenth century, Paris was one of the great wonders of Europe, renowned for its magnificent royal monuments and as a center for science, literature, and the arts. More so than any other European city, Paris reflected the spirit of an age -- an age that reached its zenith with the reign of France's Sun King, Louis XIV. No book better captures that spirit than Orest Ranum's Paris in the Age of Absolutism. first published in 1968 and now reissued in a revised and expanded edition. Ranum's tour of Paris begins in the late 1500s with a French capital city exhausted by the violence of the Wars of Religion and proceeds through the long century that ends with the death of Louis XIV in 1715. Henry IV (1589-1610), head of the Bourbon branch of the royal family, laid the foundations of modern Paris, but it was during the mature years of his grandson, Louis XIV, and during the service of his visionary minister, Jean-Baptiste Colbert, that a New Rome was created. By 1715 the city was far different from what it had been in 1590. There were now large geometrical public squares with statues of the king at their focal point. There were arches of triumph, hospital-prisons, a new and gigantic wing on the Louvre, handsome stone bridges, streetlights, and massive stone quays along the Seine.

Bawdy satirical plays—many starring law clerks and seminarians—savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated—and even commissioned—such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated. In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias's influential notion of the "civilizing process," which assigns to the royal court at Versailles the decisive role in the shift toward absolutism.