This text examines conspiracy theories and tackles paranoia as a style of debate within science, psychotherapy, and popular entertainment. A conspiracy theory emerges as a way to address the inadequacies of rational expertise and organization in the face of the changes that undermine them

This timely reissue of Richard Hofstadter's classic work on the fringe groups that influence American electoral politics offers an invaluable perspective on contemporary domestic affairs.In The Paranoid Style in American Politics, acclaimed historian Richard Hofstadter examines the competing forces in American political discourse and how fringe groups can influence — and derail — the larger agendas of a political party. He investigates the politics of the irrational, shedding light on how the behavior of individuals can seem out of proportion with actual political issues, and how such behavior impacts larger groups. With such other classic essays as “Free Silver and the Mind of 'Coin' Harvey” and “What Happened to the Antitrust Movement?, ” The Paranoid Style in American Politics remains both a seminal text of political history and a vital analysis of the ways in which political groups function in the United States.

A comprehensive history and analysis of the origins, evolution, and current life, legacy, and impact of conspiracy theories in American culture and politics, from the colonial era to today. Conspiracies have been woven through America’s social tapestry since the beginning of its history. The United States of Paranoia is a unique and fascinating look at how these commonly held beliefs—true or not—have helped shape the American cultural imagination. Using examples from colonial times to today, Jesse Walker makes the compelling argument that paranoia doesn’t just exist on the fringe of society, but is at the core of our national identity. Walker doesn’t focus on proving or disproving a particular theory. Synthesizing intensive archival research in a pulp fiction narrative, he explores the myths that haunt our nation, breaking them into five distinct categories: The Enemy Outside, The Enemy Within, The Enemy Above, The Enemy Below, and The Benevolent Conspiracy. From J. Edgar Hoover’s FBI to Watergate, the “Matrix” phenomenon to the Birthers, Walker reveals how national myths have influenced our lives, including our view of ourselves and our government. He also identifies and explores the little-recognized rise of a subculture obsessed not with one single myth or another, but in the notion of the conspiracy phenomenon itself. This growing obsession, Walker attests, offers profound insight into what it means to be American. Provocative, well-reasoned, and utterly compelling, the United States of Paranoia will make you rethink the world and the nation in a new and different way.

PARANOIA JOSEPH FINDER Adam Cassidy is twenty-six and a low level employee at a high-tech corporation who hates his job. When he manipulates the system to do something nice for a friend, he finds himself charged with a crime. Corporate Security gives him a choice: prison - or become a spy in the headquarters of their chief competitor, Trion Systems. They train him. They feed him inside information. Now, at Trion, he's a star, skyrocketing to the top. He finds he has talents he never knew he possessed. He's rich, drives a Porsche, lives in a fabulous apartment, and works directly for the CEO. He's dating the girl of his dreams. His life is perfect. And all he has to do to keep it that way is betray everyone he cares about and everything he believes in. But when he tries to break off from his controllers, he finds he's in way over his head, trapped in a world in which nothing is as it seems and no one can really be trusted. And then the real nightmare begins... From the writer whose novels have been called "thrilling" (New York Times) and "dazzling" (USA Today) comes an electrifying new novel, a roller-coaster ride of suspense that will hold the reader hostage until the final, astonishing twist. Now a major motion-picture starring, Harrison Ford, Liam Hemsworth and Gary Oldman.

While conspiracy theory is often characterized in terms of the collapse of objectivity and Enlightenment reason, Modern Conspiracy traces the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than seeing the imminent death of Enlightenment reason and a regression to a new Dark Age in conspiratorial thinking, Modern Conspiracy suggests that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment: its vociferous critique of established authorities and a conception of political sovereignty fuelled by fear of counter-plots, for example. Perhaps, ultimately, conspiracy theory affords us a renewed opportunity to reflect on our very relationship to the truth itself.

Why, Timothy Melley asks, have paranoia and conspiracy theory become such prominent features of postwar American culture? In Empire of Conspiracy, Melley explores the recent growth of anxieties about thought-control, assassination, political indoctrination, stalking, surveillance, and corporate and government plots. At the heart of these developments, he believes, lies a widespread sense of crisis in the way Americans think about human autonomy and individuality. Nothing reveals this crisis more than the remarkably consistent form of expression that Melley calls "agency panic"—an intense fear that individuals can be shaped or controlled by powerful external forces. Drawing on a broad range of forms that manifest this fear—including fiction, film, television, sociology, political writing, self-help literature, and cultural theory—Melley provides a new understanding of the relation between postwar American literature, popular culture, and cultural theory. Empire of Conspiracy offers insightful new readings of texts ranging from Joseph Heller's Catch-22 to the Unabomber Manifesto, from Vance Packard's Hidden Persuaders to recent addiction discourse, and from the "stalker" novels of Margaret Atwood and Diane Johnson to the conspiracy fictions of Thomas Pynchon, William Burroughs, Don DeLillo, and Kathy Acker. Throughout, Melley finds recurrent anxieties about the power of large organizations to control human beings. These fears, he contends, indicate the continuing appeal of a form of individualism that is no longer wholly accurate or useful, but that still underpins a national fantasy of freedom from social control.

Across the world, the rhetoric and violence of white supremacy is rising up. Yet, explanations for white supremacist attacks typically direct attention toward an unreasonable, paranoid state of mind, and away from the neocolonial security state that made them. Offering a response to US expressions of white supremacy, Liebert reads paranoia as a dis-ease of coloniality by following its circulation within the ultimate place of reason, indeed a key arbitrator of it: Psychology. Through reflexivity, interviews, participant observation, scientific artefacts, and public art, this unique work seeks to argue for and experiment with unsettling the entwined coloniality of Psychology and the current political moment, joining with struggles for a world where it is not only white lives that matter. Tracing the spinning cogs and affective coils of the prodromal movement – a program of research that, capturing potential psychosis, illustrates the serpentine workings of a control society – Liebert argues that, within a context of psycurity, paranoia hides as reasonable suspicion, predicts the future, brands threatening bodies, and grows through fear, thereby seeping into the cracks of white supremacy, stabilizing it. Catching this argument as itself enacting psycurity, she then engages the more-than-human to search for paranoia’s decolonizing, otherworldly potential; one that may revive the psykhe – breath – of psychologies too. Calling for psychologies to leave Psychology’s comfort zone and make space for imagination, this performative, interdisciplinary work will engage students, researchers, and activists from an array of disciplines who wish to examine a critical and creative response to present-day racism and fascism.