In an alternate world where treachery, betrayal, and desire threaten to destroy the lives of three allies, FBI linguist Hope Harper, joining in the war to defend humankind, is torn between two different men--Jake, a warrior from the future, and Scott, a human hybrid and the king's lieutenant. Original.

Antousian and Refarian warriors and beings have varying psychic powers, and their identities and motives are often what they appear. On a mission of vengeance, time traveler Scott Dillon finds himself marooned in the past-and risks disrupting the entireu

In wide-ranging and provocative analyses of dozens of silent films - icons of film history like The General and The Great Train Robbery as well as many that are rarely discussed - Kirby examines how trains and rail travel embodied concepts of spectatorship and mobility grounded in imperialism and the social, sexual, and racial divisions of modern Western culture.

Real Sex Films explores one of the most controversial movements in international cinema through theories of globalization and embodiment.

Searching the world for the other half of his soul, the woman who can release him from his immortal prison, Ajax Petrakos finally finds her in Shay Angel, the youngest of a powerful demon-hunting clan who draws the deadly attention of Ajax's worst enemy. Original.

Leonidas has long led his fellow immortal warriors in battle with quiet, unyielding strength. But when Daphne, Oracle of Delphi, confesses to having loved him from afar, Leo finds his stoic shell breaking away. Just as their love ignites, Daphne's half-brother Ares strips Leonidas of his immortality. Now, it's just a matter of time before Leonidas is taken from her-unless they can find a way to challenge Ares together.

Comprehensive examination of how Indigenous peoples have been represented in Argentine film. Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the ethnographic context of the Indigenous peoples represented and an analysis of the affective dimensions at play. These emotions underscore the inherent violence of generic conventions, as well as the continued political violence preventing Indigenous peoples from access to their ancestral lands and cultural mores. Tompkins explores a broad range of movies beginning in the silent period and includes both feature films and documentaries, underscored by archival and contemporary film stills. She traces the initial erotic projection, moving through melodrama to the conventions of the Western, into the 1960s focus on decolonization, superseded by allegorical renditions and the promise of self-expression in late twentieth-century documentaries. Each section includes an introduction to the sociohistorical events of the period and their impact on film production. Analyzed chronologically, the films evidence different stages in the projection of the hegemonic Argentine imaginary, which fails to envision the daily life of Indigenous peoples prior to conquest or in colonial times—and remains in denial of their existence in the present. “Cynthia Margarita Tompkins’s book is the most comprehensive analysis of the cinematic representations of Argentinean Indigenous peoples ever written. Her writing is lucid, insightful, grounded in a thorough familiarity with the films, and aware of the most current theoretical debates in film/theory and cultural studies. The book will surely become a breakthrough in its field.” — Santiago Juan-Navarro, author of Archival Reflections: Postmodern Fiction of the Americas (Self-Reflexivity, Historical Revisionism, Utopia)