From the Nobel Prize winner comes a captivating novel about an idealistic Icelandic farmer who journeys to Mormon Utah and back in search of paradise. • "Full of an earthy poetry...a style wonderfully wise and entirely Scandinavian in its combination of magic and reality." —The New York Times Book Review • With an introduction by the Pulitzer Prize-winning author of A Thousand Acres. The quixotic hero of this long-lost classic is Steinar of Hlidar, a generous but very poor man who lives peacefully on a tiny farm in nineteenth-century Iceland with his wife and two adoring young children. But when he impulsively offers his children's beloved pure-white pony to the visiting King of Denmark, he sets in motion a chain of disastrous events that leaves his family in ruins and himself at the other end of the earth, optimistically building a home for them among the devout polygamists in the Promised Land of Utah. By the time the broken family is reunited, Laxness has spun his trademark blend of compassion and comically brutal satire into a moving and spellbinding enchantment, composed equally of elements of fable and folkore and of the most humble truths.

What was our planet like before the advent of our modern civilization? What effects has our civilization had on the planet and its ecological systems? Paradise Regained discusses these questions and then creates a scenario for the re-greening of Earth. The authors introduce new and innovative ideas on how humankind might use the resources of the solar system for terrestrial benefit. Earth would then become a place for a technologically advanced human civilization to live in synchronization, if not in harmony, with the environment which gave us birth. Since the formation of our solar system, the resources and ecological state of Earth have undergone many changes. The environmental challenges facing humanity today, as the authors posit them, will not be resolved simply by conservation and Earth-based alternative technologies. Paradise Regained considers the environmental dilemma and highlights the risk of humankind's future extinction from environmental degradation. Human population growth, climate change, and the strained sustainability of the few remaining habitats for wild life are all discussed. The authors, however, are not discouraged and offer a potential solution through the development of space. Not only will extraterrestrial resources help avert environmental disaster, but will also provide the basis for continued technological and societal progress. The resources of the solar system will help meet our projected industrial needs and feed our industry once terrestrial sources are depleted. Space-based power generation systems will work synergistically with Earth-based conservation. Paradise Regained concludes with the discussion on how closed ecological systems in space will help us to build a prosperous and sustainable future for all humanity.

In this volume, Deckard analyzes authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera to make a materialist study of the relation between paradise myths and the ideologies and economies of colonialism and neo-imperialism in literature from Mexico, Zanzibar and Sri Lanka.

The Feminine Reclaimed breaks new ground in the field of Renaissance scholarship. Stevie Davies considers the feminine principle as it was developed through the humanist and Neoplatonic revival of ancient classical learning and from this perspective approaches the major works of the three great literary figures of the English Renaissance—Spenser, Shakespeare, and Milton. Through close, perceptive readings of their most crucial works, informed by a familiarity with the whole range of their context in the European literature and thought of their time, Stevie Davies is able to demonstrate the great importance of the feminine principle in the consciousness of these writers and their age, a time of political, religious, and social upheaval in which perceptions of woman and her status in society underwent momentous changes. She analyzes guiding symbols, mythical allusions, and literary structures in major works by the three poets to show that this rediscovered image of the feminine was incorporated into The Faerie Queene, Shakespeare's last plays, and Paradise Lost in such a manner as to create an alternative system of values which either redefined or criticized the patriarchal structures of the contemporary world.