Ten years in the making, Hersh and Throwing Muses 32-track album Purgatory/Paradise is the centerpiece of this book which also contains more than two dozen photographs and artwork by Kristin Hersh and band member Dave Narcizo, lyrics for each song, stories and essays that accompany each track written by Hersh, and instructions for downloads of exclusive content, including demos and outtakes.

After surviving his trip to Hell, Dante's unforgettable adventure continues to Purgatory and Paradise, as illustrated by Gustave Doré. Experience the thrilling conclusion of Dante Alighieri's Divine Comedy as Dante continues to delve into the afterlife in this visual masterpiece filled with energetic imagery by the prodigal French artist Gustave Doré. This Retro Restored Special Edition includes: -The original type font -Classic page layouts -Crisp digitally re-scanned and enhanced images -8 1/2" x 11" printing -Bold new cover design -Introduction -Rare Altemus' Edition master source quality Gustave Doré's artwork explodes with visions that remind the reader of Inferno's eternal agony but then take them to a happier place. Purgatory and Paradise show the depth of Doré's talents as heavenly scenes of grandeur erupt from the page with intricate details that can take hours to fully absorb. Originally written in the 14th century, Dante Alighieri's Divine Comedy consists of three parts that tell the story of Dante's trip through the afterlife. After enduring the savage spectacle of Hell in "Inferno", Dante continues through Purgatory to the nine celestial spheres of Heaven in Paradise. About the Artist: Master artist Gustave Dorè (1832-1883), known for the lavish illustrations in Dante's Inferno, Paradise Lost, and Don Quixote, depicted the ending of Dante's journey in a unique way that only he could. Dante and friends gaze at scenes of horror and splendor that showcase Dorè's immense talents and mastery of human anatomy, background detail, shading, and layout. About the Publisher: The CGR Publishing Restoration Workshop uses a vast array of computers and digital scanners to restore, preserve, and enhance the classic works of writers and artists from the 19th century. Each new release includes display-quality covers, enlarged covers, and retro fonts. Select books include Dante's Inferno Retro Hell-Bound Edition, Gustave Dorè's London: A Pilgrimage, The Complete Book of Birds, A Life of George Westinghouse, The Clock Book: A Detailed Illustrated Collection of Classic Clocks, The Aeroplane Speaks, and much more.

Collects Daredevil (1964) #345-364. Taken to the edge! Daredevil’s armored gray costume is no more — but who is that running around in the original yellow suit? And the classic red? Is it Matt Murdock? Jack Batlin? Or someone else?! The Man Without Fear faces an identity crisis — and it won’t be easy to put his broken life back together! If he can, a new day will dawn for Nelson & Murdock — unless hotshot lawyer Rosalind Sharpe has other ideas! Faces from Matt’s past resurface, including his mother, former lover Black Widow and dead mentor Stick — but there’s something different about Spider-Man! Meanwhile, villains line up to take on Daredevil — like Pyro, the Enforcers, the Absorbing Man and Mysterio! Matt faces one of his hardest cases: defending the murderous Mister Hyde! And DD pulls an all-nighter battling Insomnia!

This edition of the complete Divine comedy in English features Longfellow's translation and engravings by Gustave Doré.

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Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.