Exploring how television tells stories about poverty in ideological ways, Devils and Angels examines how poverty is explained on factual, fictional, and fund-raising television.

This book analyzes the changing shape of Irish society over the hundred years since the 1916 rising, arguing that there are distinctive master patterns that characterize its development of a welfare state that triangulates among church, state, and capital. Fred Powell charts the influence of social movements that resisted oppressive power structures, including the labor and feminist movements, organizations working for the rights of tenants and the homeless, survivors of institutional abuse, groups of asylum seekers and refugees, and activists for gay rights and minority and ethnic cultural rights. The tension between these groups and the more conservative institutions that have dominated Ireland raises major questions about whether an inclusive welfare state is possible in a quasi-religious society.

Louise Fuller sets the Church's role in its historical perspective before considering the triumphant institution of the 1950s. It was a Church of piety and ritual: mass attendance, church building, processions, pilgrimages, the erection of crosses, statues and grottos, the widespread dissemination of devotional literature and the cult of indulgences were its distinguishing characteristics. The rising prosperity of the '60s, plus the effects of the Vatican Council, began the liberalisation of Irish society. The bishops reacted defensively. Their conservatism stimulated the emergence of a Catholic intelligentsia, propagating more liberal attitudes and championing the new theology. The '70s and '80s saw a Church more open to liberation theology, to ecumenism and to issues of justice and peace generally, albeit change was gradual and piecemeal. The real revolution did not come until the 1990s, when a succession of clerical sexual scandals fatally subverted the unique moral authority of the Church which had been its greatest strength.