"Dobbs is an astonishing poet. The poetry in Paper Pavilion is by turns lyric and incisive, operatic and sweeping. There is a resonant passion that fills every page. With this heartbreaking and exhilarating debut, Dobbs has established herself as one of the most compelling and important poets of her generation."--David St. John Paper Pavilion captures the theme of transnational adoption and a powerful search for a personal history and identity from Korea to America. Jennifer Kwon Dobbs is currently an Edwin Mem fellow in literature and creative writing at the University of Southern California.

From the Gallery website: The Serpentine Gallery Pavilion 2013 is designed by multi award-winning Japanese architect Sou Fujimoto. He is the thirteenth and, at 41, youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. The most ambitious architectural programme of its kind worldwide, the Serpentine's annual Pavilion commission is one of the most anticipated events on the cultural calendar. Past Pavilions have included designs by Herzog & de Meuron and Ai Weiwei (2012), Frank Gehry (2008), the late Oscar Niemeyer (2003) and Zaha Hadid, who designed the inaugural structure in 2000. We are thrilled to be working with one of the most fascinating architects in the world today. A visionary, who has conceived an extraordinary response to our invitation to design the Serpentine Gallery Pavilion, Sou Fujimoto has designed a structure that will enthral everyone that encounters it throughout the summer. --Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery

Harry E. Rieseberg's autobiographical writings include stories like being attacked by a giant octopus while recovering sunken treasure, defending himself from an attack by a 15-foot shark with only a diving knife, and surviving a hurricane and a severely broken leg while at sea--all captivating tales for audiences in the 1940s and 1950s, and all invented by a very successful charlatan. This is a biography of Harry E. Rieseberg, a shameless self-promoter who passed himself off as the world's greatest treasure salvor but who never got wet. His entire public persona was based on stories he retold in dozens of books and thousands of articles in which he made claims of feats that were fantasy but sold as fact. Despite the often-obvious facts of his fabrication, his books influenced a generation of legitimate divers and underwater archaeologists like Sir Robert Marx and Robert Stenuit. Thoroughly researched, this book uses sources including his personal records and letters to his agents to provide deep insight into the nature of his life and the way he created a false persona for popular consumption.