Twenty-one pages of stickers and six double-sided pull-out posters will excite children and PANTONE-loving adults alike Three of the posters feature simple backgrounds such as wood panels or bricks to encourage creative muraling, and the other three offer black-line illustrations, inviting readers to fill them in with color. The stickers come in various shades, tones, and shapes (such as dots, triangles, illustrated objects, and mini PANTONE color chips), creating unlimited possibilities for creative readers to go color crazy

Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.

This fun book lets readers vent their emotions in a unique way, be those feelings happy, sad, lovestruck or frustrated. The book comprises four sections with hand-drawn images accompanying pithy, witty texts. Each page tells a different story, whether the lengthy process of trying to work out what to wear to college every day, or trying to beat yourself at noughts and crosses, or falling in love with the doctor because of the sound of his voice through a closed door, and reflects a whole range of emotions.With 65 hand-drawn removeable stickers in each of the four sections, you can choose a sticker to reflect your mood on any given day. Above all, though, the book will make you laugh at your moody old self.

Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventional practitioner, "Daniel Eatock Imprint" is as unconventional as the artist himself. While utilizing and embracing the expectations of a traditional monograph, the London-based designer also challenges and subverts them, presenting works based on connections and associations through color, composition, titles, material, and format rather than in chronological or hierarchical order. Constantly oscillating between art and graphic design, this book is full of Eatock’s astute observations and eccentric obsessions.