Destiny may be written in the stars, but you have the power to shape it. In Pans Script, author Elkie White, offers a treasure trove of vital information about you, your loved ones, and your life, through astrology and numerology, combined. Pans Script guides you to the discovery of your Astro-Number Signature: the governing resonance of your entire energy-field. It paints a multidimensional personal portrait by showing you how to: enact the power and potential within your date of birth and your name apply your birthday number to make headway in life identify your true personality assess the forces shaping your life time your personal cycles appreciate the various types of intelligence, yours and others interpret your personal years within the context of the worlds year correlate numerology and astrology unite your numbers and your horoscope calculate and interpret your Astro-Number Signature explore the implications of your astronumerology for your career-path and relationships Based on careful research and the refinement of formulae from thousands of case studies, Pans Script teaches you about yourself as it reveals your Astronumerological DNA, because to know is to understand.

The traditional Zhuang script is a character script based on Chinese, adapted for the purpose of writing the Tai languages of southern China and northern Vietnam. Mapping the Old Zhuang Character Script by David Holm, presents for the first time a systematic overview of such a script, based on a survey of traditional texts in 45 locations among the Zhuang and related peoples in Guangxi, Guizhou, eastern Yunnan, and northern Vietnam. Complete with 133 maps, it looks at patterns of geographic variation in relation to dialect, the domains of former native chieftaincies, the activities of ritual masters and Taoist priests, large-scale migrations, and the transplantation of garrisons of native troops. Internal evidence indicates the script has a history going back well before the Tang.

The SPIN workshop is a forum for researchers interested in the subject of automata-based, explicit-state model checking technologies for the analysis and veri?cation of asynchronous concurrent and distributed systems. The SPIN - del checker (http://netlib.bell-labs.com/netlib/spin/whatispin.html), developed by Gerard Holzmann, is one of the best known systems of this kind, and has attracted a large user community. This can likely be attributed to its e?cient state exploration algorithms. The fact that SPIN’s modeling language, Promela, resembles a programming language has probably also contributed to its success. Traditionally, the SPIN workshops present papers on extensions and uses of SPIN. As an experiment, this year’s workshop was broadened to have a slightly wider focus than previous workshops in that papers on software veri?cation were encouraged. Consequently, a small collection of papers describe attempts to analyze and verify programs written in conventional programming languages. Solutions include translations from source code to Promela, as well as specially designed model checkers that accept source code. We believe that this is an - teresting research direction for the formal methods community, and that it will result in a new set of challenges and solutions. Of course, abstraction becomes the key solution to deal with very large state spaces. However, we also see - tential for integrating model checking with techniques such as static program analysis and testing. Papers on these issues have therefore been included in the proceedings.

This book looks at the fundamental problems a writer faces as a beginner learning to create content for media that is to be seen rather than read. It takes you from basic concepts to a first level of practice through explicit methods that train you to consistently identify a communications problem, think it through, and find a resolution before beginning to write. Through successive exercises, Writing for Visual Media helps you acquire the basic skills and confidence you need to write effective films, corporate and training videos, documentaries, ads, PSAs, TV series, and other types of visual narrative. A new chapter looks at adaptation as a specific script writing problem. Writing for Visual Media also lays a foundation for understanding interactive media and writing for non-linear content with new chapters that cover writing for the web, interactive corporate communication, instructional media, and video games. This book will make you aware of current electronic writing tools and scriptwriting software through a companion DVD, which offers links to demos and enriches the content of the printed book with video, audio, and sample scripts. Scripts are linked to video clips that are the produced result of the words on a script page. The DVD demonstrates the visual language of scriptwriting (shots, basic camera movement, transitions, etc.) discussed in the book by means of an interactive, illustrated glossary (video and stills) of terms and concepts.

A description of a methodology by which to decipher the writing of the Harappan civilization. The methodology is then applied and the results set forth in detail. There, results coupled with the author's extensive archaeological knowledge of the Indus Civilization creates a picture of ancient South Asian life much of which in content is unique.

Despite a glut of black and white filters, the digital revolution in videography has all but abandoned the art, science, beauty, and power of cinematic lighting that literally illuminated the Golden Age of motion pictures. Film Noir Light and Shadow explores an era before CGI – a time when every photon mattered and the lighting of a set served a grander purpose than simply rendering its subjects visible. Edited by Alain Silver and James Ursini, the duo behind numerous critically acclaimed studies of other aspects of noir, this anthology presents a series of essays that examine the visual style of the filmmakers of cinema's classic period. Some focus on individual pictures or directors; others discuss elements of style or sub-groups of movies within the movement. All are sharply focused on what makes the noir phenomenon unique in American – and global – cinematic history. Aside from highlighting the innovative work of its editors and their late colleague Robert Porfirio, Film Noir Light and Shadow also shares its light with a bevy of contributors who have written and edited their own books on the subject – a list of luminaries that includes Sheri Chinen Biesen, Shannon Clute and Richard Edwards, Julie Grossman, Delphine Letort, Robert Miklitsch, R. Barton Palmer, Homer Pettey, Marlisa Santos, Imogen Sara Smith, and Tony Williams. As befits the topic, this volume is lavishly illustrated with 500 images that capture the richness and breadth of the classic period's imagery, making it an ideal companion for students of the genre, film historians, sprocket fiends, and the retrospectively inclined.