Over 300 spectacular photographs of London's lost buildings from the London Metropolitan Archive in Panoramic format. Tudor, Georgian and Victorian buidings, some of them historic masterpieces, captured in location just before their destruction between 1870-1945

Described as a publishing phenomenon, Lost London transports the reader back in time with amazing and evocative photographs. For this revised edition another 16 pages and approximately 50 previously unpublished photographs have been added

From Pixies front man, Black Francis, comes a bold and visually arresting illustrated novel about art, conflict, and the origins of a certain type of cinema. In 1907, the French battleship Iéna was destroyed when munitions it was carrying exploded, killing 120 people. A nitrocellulose-based weapon propellant had become unstable with age and self-ignited. In 1908, La Bonne Auberge became the earliest known pornographic film. It depicted a sexual encounter between a French soldier and an innkeeper’s daughter. Like all films at the time, and for decades afterward, it was made with a highly combustible nitrocellulose-based film stock. Loosely based on these historical events, The Good Inn follows the lone survivor of the Iéna explosion as he makes his way through the French countryside, has a sexual adventure with an innkeeper’s daughter, and even more deeply into a strange counter universe. It is a volatile world where war and art exist side by side. It is also the very real story of the people who made the first narrative pornographic film. The novel weaves together real historical facts to recreate this lost piece of history, as seen through the eyes of a shell-shocked soldier who finds himself the subject and star of the world’s first stag film. Through Soldier Boy’s journey we explore the power of memory, the simultaneously destructive and healing power of light, and how the early pioneers of stag films helped shape the film industry for generations to come.

The myth of Scott of the Antarctic, Captain Robert Falcon Scott, icon of fortitude and courage who perished with his fellow explorers on their return from the South Pole on March 29th, 1912, is an enduring one, elevated, dismantled and restored during the turbulence of the succeeding century. Until now, the legend of the doomed Terra Nova expedition has been constructed out of Scott's own diaries and those of his companions, the sketches of 'Uncle Bill' Wilson and the celebrated photographs of Herbert Ponting. Yet for the final, fateful months of their journey, the systematic imaging of this extraordinary scientific endeavor was left to Scott himself, trained by Ponting. In the face of extreme climactic conditions and technical challenges at the dawn of photography, Scott achieved an iconic series of images; breathtaking polar panoramas, geographical and geological formations, and action photographs of the explorers and their animals, remarkable for their technical mastery as well as for their poignancy. Lost, fought over, neglected and finally resurrected, Scott's final photographs are here collected, accurately attributed and catalogued for the first time: a new dimension to the last great expedition of the Heroic Age and a humbling testament to the men whose graves still lie unmarked in the vastness of the Great Alone.

A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

Around 1500 photographs reveal what it was like to live in Victorian and Edwardian England. The long awaited sequel to Lost London

"The book is like a dream you want to last forever" (Roberta Silman, The New York Times Book Review), now with a gorgeous new cover by the famed designer Peter Mendelsund A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."