Study on the works of Jagannatha Panditaraja.

On the life and works of Jagannātha Panḍịtarāja, 17th century Sanskrit poet and scholar; includes sampling of his poetry.

The Work Was Originalls Composed In 16Th Century By Pandit Jagannath Who Also Enjoyed Recording, Reviewing And Reappraising Various Theories On Poetics. The Work Is Praised For His Preciseness And Accuracy In The Presentation Of Theories. The Present Book Presents An English Translation For The First Print Dealing With Theories. Divided In 2 Parts. 4 Parts In Al. Loves Of Sanskrit Poetics Will Find It Useful.

Study with translation of Rasagaṅgādhara, classical work on Sanskrit poetics by Jagannātha Paṇḍitarāja.

Bhaminivilasa is a collection of miscellaneous verses which the talented Sanskrit poet Pandittaraja Jagannatha, a junior contemporary of Emperor Akbar, composed on different occasions. It includes four Vilasas, viz., Prastavikavilasa, Srngaravilasa, Karunavilasa and Samtavilasa, the present publications comprising only two of them, namely the first and the last. Many of the verses are infused with personal touches serving as the poet`s memoirs. The collection is named after the poet`s first wife Bhamini whom he had lost at a very young age before he launched into his scholarly career.

This volume contains the most comprehensive collection of scholarly sources on Indian poetics and aesthetics (the Alaṃkāraśāstra ever published in ancient India. Entries are divided into three sections and a detailed index is provided. Reference to primary sources from several languages range from about the 5th to the 19th centuries. Secondary sources in two dozen languages are divided into two sections, viz., books and articles. These begin in the mid-19th century and continue to the present. Annotations are usually brief and descriptive.

A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions—including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu—in their full historical and cultural variety. The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia. (Available in South Asia from Oxford University Press--India)