Pan-Africanism in Ghana is an interdisciplinary exploration of the various ways Pan-African politics have been expressed by politicians in the Republic of Ghana from the colonial era to the present. By focusing on transnational politics in the context of a single nation over time, this study gives critical insight into the complex global, national, and local pressures that shaped Pan-African politics and the Republic of Ghana simultaneously. While there has been a great deal of work on Kwame Nkrumah and Ghana's First Republic, this book's major contribution is to trace Pan-African ideas in Ghanaian politics past the Nkrumah era, through the years of weak civilian governments and military rule, to the present. This approach explains how and why Pan-Africanism has shifted, inresponse to major global geopolitical changes and the objectives of Ghanaian political elites, from an anti-imperial African socialist oriented ideology to one supporting neoliberal nation-building. By viewing Ghanaian history through the lenses of economics, cultural anthropology, and political economy, this study reveals the extremely malleable nature of Pan-African ideas and the ingenuity of politicians looking to utilize them for a variety of political projects. In short, Ghana's conception as a springboard for a greater African union left a legacy subsequent civilian and military leaders of various ideological shades had to grapple with. The ways they rejected, embraced, or sought to subvert the nation's internationalist past helps us understand the mechanics of decolonization/nation-building in a globalizing world. Pan-Africanism in Ghana contributes to the historiography of Ghana by focusing on often overlooked figures and placing the development of the West African nation in a wider global context, while also presenting new multi-faceted arguments to debates about the history of Pan-Africanism. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "This book is very informative as it offers the much needed help for comprehending the Pan African movement. Thus, it can serve as an excellent reference for general readers and students of Pan-Africanism alike, who want to learn how the concept can be used to shed light on and respond to the forces of globalization and address the current predicaments of the people of Africa."--Zerihun Berhane Weldegebriel, Addis Ababa University, African Studies Quarterly

This book examines Ghana’s Pan-African foreign policy during Nkrumah’s rule, investigating how Ghanaians sought to influence the ideologies of African liberation movements through the Bureau of African Affairs, the African Affairs Centre and the Kwame Nkrumah Ideological Institute. In a world of competing ideologies, when African nationalism was taking shape through trial and error, Nkrumah offered Nkrumaism as a truly African answer to colonialism, neo-colonialism and the rapacity of the Cold War powers. Although virtually no liberation movement followed the precepts of Nkrumaism to the letter, many adapted the principles and organizational methods learnt in Ghana to their own struggles. Drawing upon a significant set of primary sources and on oral testimonies from Ghanaian civil servants, politicians and diplomats as well as African freedom fighters, this book offers new angles for understanding the history of the Cold War, national liberation and nation-building in Africa.

In 1957 Ghana became one of the first sub-Saharan African nations to gain independence from colonial rule. Over the next decade, hundreds of African Americans--including Martin Luther King Jr., George Padmore, Malcolm X, Maya Angelou, Richard Wright, Pauli Murray, and Muhammad Ali--visited or settled in Ghana. Kevin K. Gaines explains what attracted these Americans to Ghana and how their new community was shaped by the convergence of the Cold War, the rise of the U.S. civil rights movement, and the decolonization of Africa. Kwame Nkrumah, Ghana's president, posed a direct challenge to U.S. hegemony by promoting a vision of African liberation, continental unity, and West Indian federation. Although the number of African American expatriates in Ghana was small, in espousing a transnational American citizenship defined by solidarities with African peoples, these activists along with their allies in the United States waged a fundamental, if largely forgotten, struggle over the meaning and content of the cornerstone of American citizenship--the right to vote--conferred on African Americans by civil rights reform legislation.

Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.

What is the meaning of blackness in Africa? This title tackles the question of race in West Africa through its post-colonial manifestations. Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of 'whiteness' to the practice of chemical skin-bleaching to the government's active promotion of Pan-African 'heritage tourism'.

Nkrumah became president of the new Republic of Ghana in 1960, and was the first African statesman to achieve world recognition. This biography chronicles his public accomplishments as he struggled with colonial transition, African nationalism, and pan-Africanism, and relates his personal trials. This revised edition incorporates new material on his retirement years. For general readers and students. Annotation copyrighted by Book News, Inc., Portland, OR

The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.