Art, Politics and the Pamphleteer brings together a collection of text-based and visual essays, commissioned artworks and graphics. This richly illustrated book responds to the concept, aesthetics and function of the political pamphlet. It is diverse in content, interpreting the 'pamphlet' in the broadest terms, and encompassing a number of case studies that offer historical or specific examples of contemporary pamphleteering practice that can be seen to perform 'a clear political implication' or protest. Besides exploring the radical history and diverse cultures of the pamphlet, it also celebrates the rich visual rhetoric, typography and contemporary relevance of the format for both artists and activists. Contributions include an historical overview and essays by: Andy Abbott, Angeliki Avgitidu, Aziz Choudry and Désirée Rochat, David Murrieta Flores, Michelle Kempson, Pil and Galia Kollectiv, Rachel Schreiber, Jane Tormey, Gillian Whiteley; visual contributions by Gary Anderson and Steven Shakespeare, Ruth Beale, Ami Clarke, Common Culture, Jeremy Deller, Freee, Patrick Goddard, Gavin Grindon, Ferenc Grof, Marc Herbst, Joanne Lee, Josh MacPhee, Manual Labours, Mark McGowan, Minute Works, Chris Morton, radicalreThink, Hester Reeve, Oliver Ressler, Greg Sholette & Christopher Darling, Laura Wild, Andrew Wilson. As the book was conceived as predominantly visual from the outset, the book concept has been a collaboration with The Little Riot Press (Phil Eastwood and Chris Dunne). Overall, an aesthetic of protest and propaganda was considered integral to the design to reiterate the generally handmade, analogue techniques found in political pamphlets. The Little Riot Press have thus approached the illustration and overall visual cohesion from the perspective of the radical artist pamphleteer. www.thelittleriotpress.com

John Milton (1608-1674) is best known as the author of the masterful epic retelling of fall of man, Paradise Lost. But he was more than just the 17th century voice of Satan. Wise and witty scholar Anna Beer traces his literary roots to a youthful passion for ancient verse, especially Ovid. She also rounds out parts of his life that have been, until now, little studied. Milton was deeply involved in the political and religious controversies of his time, writing a series of pamphlets on free speech, divorce, and religious, political and social rights that forced a complete rethinking of the nature and practice not only of government, but of human freedom itself. He struggled to survive through Cromwell's rise to power, chaotic reign and death, and then the restoration of the monarchy. Milton's personal life was just as rich and complex as his professional, and here it receives a fresh assessment. For centuries, he has emerged from biographies either as a woman-hating domestic tyrant or as a saintly figure removed from the messy business of personal affections. While Milton was probably a touch tyrant and saint, Beer suggests he also suffered lifelong heartache at the untimely death of his intimate friend Charles Diodati, with whom he was likely in love. Milton's context, from religious persecution to institutional turmoil to sexual politics, is as central to the book as Milton himself. With extensive new research, Milton emerges from Anna Beer's ground-breaking biography for the first time as a fully rounded human being.