Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird, is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. This collection, which focusing on love, childish behaviours, 90's celebrity references and being a woman is sure to confirm all your worst suspicions and prejudices. In a recent comments section on the Guardian, her work was described as "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs," and "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs."

This impressive debut has established Hera Lindsay Bird as a good girl with many beneficial thoughts and feelings. With themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is, juxtaposing many classical and modern breezes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert. This is at once an intelligent and compelling fantasy of tenderness, heartbreaking and charged with trees without once sacrificing the forest.

“If you want to get revenge, hire him,” everyone says of Xavier, the most dangerous lawyer in Sydney. He’s also Carli’s ex-husband and the biggest mistake of her life. But when they reunite for the first time in five years, their attraction is undeniable and they end up spending the night together. She becomes pregnant and, surprisingly, Xavier suggests they get back together. But she can’t forget the reason they got a divorce in the first place and firmly rejects his proposal. Xavier refuses to be turned away again and tries to win her back. But she can’t tell if he’s doing it for love or just desire…

#1 New York Times bestseller · Seven starred reviews · Boston Globe-Horn Book Award Honor Book “For all the struggle in this book, Thomas rarely misses a step as a writer. Thomas continues to hold up that mirror with grace and confidence. We are lucky to have her, and lucky to know a girl like Bri.”—The New York Times Book Review This digital edition contains a letter from the author, deleted scenes, a picture of the author as a teen rapper, an annotated playlist, Angie’s top 5 MCs, an annotated rap, illustrated quotes from the book, and an excerpt from Concrete Rose, Angie's return to Garden Heights. Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill. But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral . . . for all the wrong reasons. Bri soon finds herself at the center of a controversy, portrayed by the media as more menace than MC. But with an eviction notice staring her family down, Bri doesn’t just want to make it—she has to. Even if it means becoming the very thing the public has made her out to be. Insightful, unflinching, and full of heart, On the Come Up is an ode to hip hop from one of the most influential literary voices of a generation. It is the story of fighting for your dreams, even as the odds are stacked against you; and about how, especially for young black people, freedom of speech isn’t always free. Don't miss Concrete Rose, Angie Thomas's powerful prequel to her phenomenal bestseller, The Hate U Give!

[Webnovel provides the latest update of Hellbound With You] COMPLETED*] [WARNING: MATURE CONTENT] "I love you, despite the danger signs." ____ Sheltered and innocent Abigail is terminally ill. She knows she will die soon so before she dies, she wants to fulfill her one and only wish - to fall in love. She wants to experience loving someone romantically. But under one strange condition- she wants a man who will not fall in love with her because she doesn't want him to suffer when she's gone. She met Alexander Qinn, the coldhearted and mysterious man. He warns her from the start that he doesn't do love and that he is dangerous. But that made him the perfect man for Abigail. He was exactly the kind of man she was looking for. Alexander will teach the innocent Abigail about his kind of pleasure while Abigail will show him the joy of doing simple things in life. Their completely different worlds collide, Abi's illness and the mysteries about Alexander will slowly be revealed. Can Abigail handle his own kind of hell? Can Alexander handle her light? ___ VOLUME 1 [MAIN STORY] - STATUS: COMPLETED A story of a terminally ill girl and a heartless man. ____ VOLUME 2 [SPIN-OFF] - STATUS: COMPLETED A story of a vampire prince and a feisty and rich human girl. ____ VOLUME 3 [SPIN-OFF] - STATUS: COMPLETED A story of an ancient witch's unrequited love. ____ VOLUME 4 [SPIN-OFF] - STATUS: ONGOING A story of a ghost and a vampire prince. #enemies-to-lovers ____ * THE MAIN STORY(VOLUME 1&VOLUME 2) IS COMPLETED. AFTER STORY/SIDE STORY(VOLUME 4) IS STILL ONGOING.

'A wonderful book - an invigorating revelation ... An essential collection of prose poems from across the globe, by old masters and new, reveals the form's astonishing range' Kate Kellaway, Observer 'A superb anthology . . . it is hard to know how it could possibly be bettered' Daily Telegraph This is the prose poem: a 'genre with an oxymoron for a name', one of literature's great open secrets, and the home for over 150 years of extraordinary work by many of the world's most beloved writers. This uniquely wide-ranging anthology gathers essential pieces of writing from every stage of the form's evolution, beginning with the great flowering of recent years before moving in reverse order through the international experiments of the 20th century and concluding with the prose poem's beginnings in 19th-century France. Edited with an introduction by Jeremy Noel-Tod