A beautiful life at the beach is marred by secrets and lies as the legacy of Jack Smith's debauchery continues to haunt his widow, Pam. The Tao of Pam finds Pam at a crossroad which will take her to the next phase of her life. Her children, Brent and Lisa move on, dealing with their own life choices, as one by one, they all come down off their pedestals. The Tao of Pam prepares fans of the Pam of Babylon series for Book Seven....In Memoriam.

Provides a new narrative history of the ancient world, from the beginnings of civilization in the ancient Near East and Egypt to the fall of Constantinople Written by an expert in the field, this book presents a narrative history of Babylon from the time of its First Dynasty (1880-1595) until the last centuries of the city’s existence during the Hellenistic and Parthian periods (ca. 331-75 AD). Unlike other texts on Ancient Near Eastern and Mesopotamian history, it offers a unique focus on Babylon and Babylonia, while still providing readers with an awareness of the interaction with other states and peoples. Organized chronologically, it places the various socio-economic and cultural developments and institutions in their historical context. The book also gives religious and intellectual developments more respectable coverage than books that have come before it. A History of Babylon, 2200 BC – AD 75 teaches readers about the most important phase in the development of Mesopotamian culture. The book offers in-depth chapter coverage on the Sumero-Addadian Background, the rise of Babylon, the decline of the first dynasty, Kassite ascendancy, the second dynasty of Isin, Arameans and Chaldeans, the Assyrian century, the imperial heyday, and Babylon under foreign rule. Focuses on Babylon and Babylonia Written by a highly regarded Assyriologist Part of the very successful Histories of the Ancient World series An excellent resource for students, instructors, and scholars A History of Babylon, 2200 BC - AD 75 is a profound text that will be ideal for upper-level undergraduate and graduate courses on Ancient Near Eastern and Mesopotamian history and scholars of the subject.

Although cinema was invented in the mid-1890s, it was a decade more before the concept of a “film spectator” emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown—vaudeville, dime museums, fairgrounds—a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon, Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere. Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School’s debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm—as one of the new industry’s strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience. After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith’s Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer. Babel and Babylon recasts the debate on early American cinema—and by implication on American film as a whole. It is a model study in the field of cinema studies, mediating the concerns of recent film theory with those of recent film history.

... it will be a Number 1 Book Seller around the world -Dawn Gobourne- Librarian, Marcus Garvey Library, London The Taste of Champagne Urge by Lyndon Walters . . . needs to be given credit for attempting an unusual concept . . . The central plot is dreamt up by two brains. . . The identity of the person in whose head the two brains reside, is a mystery almost till the very end of the novel .The authors aim with this book is to analyze human behavior . . . definitely worth a read and I would recommend it to all readers. -Online Book Club What a fantastic work by Lyndon Walters! I do honestly believe that this huge piece of writing would be turned to a futuristic movie series . . . put together in one of the clearest contrast of writing in relating complex ideas and stories . . . what a perfect way to narrate a story about Man, Love, Relationship, Politics and Ruler- ship in a dramatic and futuristic symbolism. -Godson Azu - Writer and Commentator, BenTV/Freevoiceradio London Lyndon Walters debut novel is an unputdownable epic of gargamtuan proportions literally and literarily . . . a plot and diversions that take you on a rollercoaster of a narrative that is relentless in its grip . . . To capture what its all about in a prcis would be like unlocking the secret of the universe in a sentence . . . Cannot recommend it enough. -Dotun Adebayo BBC Radio The author effectively creates an alternate reality and through it challenges the audience to explore the things they often take for granted . . . he cleverly creates a complex and complicated narrative and elevates the genre into one that will resonate with audiences of all stripes . . . several similar books have been adapted and produced into films to both critical and financial successes including The Matrix and Cloud Atlas . . . audiences around the world will one day enjoy The Taste of Champagne Urge. -Lawrence Koster Hollywood Treatment Film Screen Writer