The Renaissance architect and builder Andrea Palladio is arguable the most influential architect in Western history, and certainly the most beloved. His sixteenth-century villas in the Italian Veneto revolutionized the course of architecture, and the principles on which he based his work are still felt today. For the past several years, Italian watercolorist Giovanni Giaconi has devoted his talents to creating exquisite large-format pen-and-ink watercolor renderings of all thirty-two of Palladio's villas. Each drawing captures the timeless beauty of Palladian architecture and provides a detailed record of these masterpieces. Together with brief descriptions of each villa, samples of Giaconi's preparatory sketches, and where available, Palladio's own woodcuts, these works of art leave a deep impression of Palladio's oeuvre and give the reader an opportunity to compare the original designs with the actual buildings and their present state of conservation. This beautiful book is a must-have and the perfect gift for architects, travelers, and lovers of Italy and Palladio's architecture.

Palladio became one of the most influential architects in history and his villas designed in the countryside around Venice are amongst the most beautiful houses ever built. They aimed to express the ideals of reason, humanity and civilization in Renaissance life and to provide practical settings from which the sophisticated merchants or gentry from Vicenzia and Venice could exercise their privileges as landowners and their responsibilities as farmers. In this illustrated book the author explores special qualities of the architecture, provides a guide for visitors, and also sets them among the people, practicalities and beliefs which gave them life.

Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.

A glamorous and unprecedented exploration of Palladio's work in one of the most beautiful of all cities

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

Andrea Palladio (1508-1580) may well be the single most influential architect ever, and by conspicuously adopting his vocabulary, Michael Graves, Philip Johnson and the post-modernists have made him a byword for the 1980s and 1990s. This book contains photographs of Palladio's country houses.