Instill more emotion in your paintings through Color Harmony Color is one of the most powerful tools an artist can use to capture a mood or express an emotion. However, it can also be intimidating. In Color Harmony in Your Paintings, artist and teacher Margaret Kessler takes a friendly approach to help you understand and apply the principles of color to greatly improve your work. Through clear, instructive illustrations and painting examples, you'll learn how to use color to create expressive moods, unity, rhythm and eye-catching designs as well as heighten the impact of your paintings. No matter what your skill level, you'll find encouraging guidance for using color in any medium. Kessler also provides many finished works and four oil demos making specific points about color usage. Once you understand color principles and when, where, why and how to apply these ideas, you will have the tools for building color harmony.

Andrew Loomis (1892-1959) is revered amongst artists - including comics superstar Alex Ross - for his mastery of drawing. His first book, Fun With a Pencil, published in 1939 is a wonderfully crafted and engaging introduction to drawing, cartooning, and capturing the essence of a subject all while having fun. With delightful step-by-step instruction from Professor Blook, Loomis s charming alter ego on the page. Andrew Loomis was born in 1892. After studying art he moved to Chicago, eventually opening his own studio, working in editorial and advertising for most of the top clients at the time including Kellogg s, Coca Cola, Lucky Strike and more. He also became renowned as an art teacher and his instructional books on realist illustration and art are acclaimed classics in the field. He died in 1959.

The autobiography of a painter who has managed to keep himself a storm center for more than one reason. His studies, types of work, his friends, enemies, quarrels, his work as an official war artist for England, and the results of those paintings, his two visits to America and what came of that, his comments, criticisms, observations of people, art and life, all make interesting reading. The appeal of the book is not confined to the artistically minded.