Instill more emotion in your paintings through Color Harmony Color is one of the most powerful tools an artist can use to capture a mood or express an emotion. However, it can also be intimidating. In Color Harmony in Your Paintings, artist and teacher Margaret Kessler takes a friendly approach to help you understand and apply the principles of color to greatly improve your work. Through clear, instructive illustrations and painting examples, you'll learn how to use color to create expressive moods, unity, rhythm and eye-catching designs as well as heighten the impact of your paintings. No matter what your skill level, you'll find encouraging guidance for using color in any medium. Kessler also provides many finished works and four oil demos making specific points about color usage. Once you understand color principles and when, where, why and how to apply these ideas, you will have the tools for building color harmony.

The autobiography of a painter who has managed to keep himself a storm center for more than one reason. His studies, types of work, his friends, enemies, quarrels, his work as an official war artist for England, and the results of those paintings, his two visits to America and what came of that, his comments, criticisms, observations of people, art and life, all make interesting reading. The appeal of the book is not confined to the artistically minded.

Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh's importance as more than just a "longhorn painter." Reaugh's works and far-reaching imagination earned him a prominent place in the Texas art pantheon.

This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical—and until now, least studied—major American Abstract Expressionist. Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks—including more than 800 paintings—that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today. This volume, based on the authors’ materials research and enriched by their unprecedented access to Still’s artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of his materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of the artist's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. There is also a series of technical appendices as well as a full bibliography.