Includes the Proceedings of the Royal geographical society, formerly pub. separately.

Die Studie untersucht für die Jahre vor dem Ersten Weltkrieg anhand der arabisch-palästinensischen Zeitung Filas?in lokale Debatten um politische Ordnung, kollektive Identität und Beziehungen zwischen ethnischen und konfessionellen Gruppen; dies vor dem Hintergrund transregionaler und transosmansicher Zusammenhänge. Dies ist deshalb relevant, weil Gruppenbeziehungen in Palästina für diese Phase der osmanischen Moderne wenig erforscht sind und sich in einer tiefen Umbruchphase, einer sog. ›Sattelzeit‹, befanden. Filastin, veröffentlicht ab 1911 in Jaffa von Isa al-Isa und Yusuf al-Isa, lokalen griechisch-orthodoxen Christen, diente als Medium, in dem ein vielfältiges Spektrum an palästinensischen Autoren verschiedener Konfession folgende Fragen kontrovers verhandelte: 1. Regeln des Zusammenlebens im multiethnisch und multikulturell geprägten Jaffa; 2. Die Integrierbarkeit der jüdisch-zionistischen Einwanderer in die Region, und 3. die Partizipation arabisch-palästinensischer Christen im von Griechen dominierten griechisch-orthodoxen Patriarchat von Jerusalem. Exploring Filas?in in the context of Arab Palestinian press development, its specific environment and networks, and the political culture after the Young Turk Revolution, this study analyzes the main concepts and terminological features that are conveyed through ist coverage. Further, it studies Palestinian group relations in the light of three selected case studies: the press debate on 1. the social cohabitation of groups in the Jaffa region, 2. the socio-economic integration of Zionist immigrants into the Jerusalem District, and 3. the political participation of Arab Palestinian Orthodox Christians in the administration of the Greek Orthodox Patriarchate of Jerusalem, and their opposition against the clerical establishment. Filastin was published from 1911 onwards in the coastal town of Jaffa by the cousins Yusuf and Isa al-Isa, Arab Palestinians of Greek Orthodox confession. Soon, it had established itself as a 'forum of debate' in late Ottoman Palestine, serving a pool of authors from different ethnic and confessional but similar educational backgrounds and moral values as a public medium to which they contributed through publishing articles, protest letters, petitions, etc. On its pages, these authors controversially discussed concepts of collective identity, society-building, political order and all kinds of reforms that they perceived progressive and as fitting the 'spirit of the age', as they called it: the age of Ottoman Constitutionalism and modernity. This study explores local debates on Palestinian group relations through Filastin during the years 1911 until 1914 which is relevant since, during this period of time, the Arab Middle East in general and Palestine in specific underwent a so-called 'saddle period'; a deep and fundamental change with regard to social relations and political concepts that is still rather unexplored in today's scholarship.

Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England?the two countries where photography was invented?and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.