As part of the larger, ongoing movement throughout Latin America to reclaim non-Hispanic cultural heritages and identities, indigenous writers in Mexico are reappropriating the written word in their ancestral tongues and in Spanish. As a result, the long-marginalized, innermost feelings, needs, and worldviews of Mexico's ten to twenty million indigenous peoples are now being widely revealed to the Western societies with which these peoples coexist. To contribute to this process and serve as a bridge of intercultural communication and understanding, this groundbreaking, three-volume anthology gathers works by the leading generation of writers in thirteen Mexican indigenous languages: Nahuatl, Maya, Tzotzil, Tzeltal, Tojolabal, Tabasco Chontal, Purepecha, Sierra Zapoteco, Isthmus Zapoteco, Mazateco, Ñahñu, Totonaco, and Huichol. Volume Three contains plays by six Mexican indigenous writers. Their plays appear first in their native language, followed by English and Spanish translations. Montemayor and Frischmann have abundantly annotated the Spanish, English, and indigenous-language texts and added glossaries and essays that introduce the work of each playwright and discuss the role of theater within indigenous communities. These supporting materials make the anthology especially accessible and interesting for nonspecialist readers seeking a greater understanding of Mexico's indigenous peoples.

Uno, un Mago maldito. La otra, una Bruja perdida. Tanto Kier como Ina huyen. Huyen de lo que sea que dejaron atrás y buscan su camino. Su forma de hacer las cosas. Su propia manera de vivir. Buscan estar solos para poder buscarse a sí mismos y encontrarse sin que nadie más se los impida. ¿Pero qué pasa cuando se dan cuenta de que los dos escogieron el mismo bosque para alejarse de todo y todos los demás? Es toda una aventura, en la cual ambos emprenden el camino para aprender lo que significa ser Humano entre gente...

TRASATLANTICA. Poetry and Scholarship is an academic peer-reviewed journal devoted to the study and promotion of poetry produced and consumed on both sides of the Atlantic, in Spanish, Portuguese and English.

Don Lazarillo Vizcardi. Sus investigaciones m?sicas con ocasion del concurso ? un magisterio de.

The historical spread of Spanish and Portuguese throughout the world provides a rich source of data for linguists studying how languages evolve and change. This volume analyses the development of Portuguese and Spanish from Latin and their subsequent transformation into several non-standard varieties. These varieties include Portuguese- and Spanish-based creoles, Bozal Spanish and Chinese Coolie Spanish in Cuba, Chinese Immigrant Spanish, Andean Spanish, and Barranquenho, a Portuguese variety on the Portugal-Spain border. Clancy Clements demonstrates that grammar formation not only takes place in parent-to-child communication, but also, importantly, in adult-to-adult communication. He argues that cultural identity is also an important factor in language formation and maintenance, especially in the cases of Portuguese, Castilian, and Barranquenho. More generally, the contact varieties of Portuguese and Spanish have been shaped by demographics, by prestige, as well as by linguistic input, general cognitive abilities and limitations, and by the dynamics of speech community.

Lexicography requires rigour, a broad scope, complexity and diligence. The current interest is for having varied and ideal dictionaries from diverse perspectives and for all types of users. The I International Symposium on Lexicography invited the consideration of lexicographical activity from an open perspective that links and unites languages together, considering its output a real help, since what links all dictionaries is that they are all instruments, and precision ones if possible.