About the Book This volume, a visual journey, through its meticulous deliberations on the wall paintings and miniature paintings of Bundelkhand makes us reminisce the footfalls of valiant Bundella kings, ankle bells of elegant court-dancers, evocative poetry of mahakavi Kesvadas and the brilliant artistic skills of mural painters and many other historical events. These find their excellent expressions beyond the palaces of Orchha and Datia, and in many jagirs and thikanas such as Rehali, Madanpur, Chhatarpur, Narsinghgarh, Ajayagarh, Todi Fatehpur, Samthar, Jhansi and Rannod as well. A glimpse of Malwa painting is a value-add. The murals, a living art, more democratic and decidedly popular, were the artistic idiom of Bundelkhand. It was art for the raja and the praja, depicting not only Puranic stories, but also the regal affairs and the day-to-day life of ordinary people. Despite the fact that time, the vicissitudes of weather and vandalism have taken their toll on the murals, a cultivated aesthete can restore life in them. The book candidly reminds us a truth: The paintings of Bundelkhand are half remembered, half forgotten and many yet to be discovered. Thus, this book should inspire art connoisseurs, art historians, art students, and laymen alike, paving the way for further researches and studies on the forgotten legacies of Bundelkhand. About the Author Born in Harda on the banks of the holy river Narmada and presently based at Indore, Narmada Prasad Upadhyaya is a noted scholar of Hindi literature and Indian painting. He writes with grace and eloquence and his books, 25 in number, are an important part of the bibliography of Hindi literature, Indian art and aesthetics. Among his books are Bhartiya Chitrankan Prampara, Paar Roop Ke, Jain Chitrankan Parampara, Kanheri Gita Govinda, The Concept of Portrait and The Colours Fragrance. He has extensively worked on Raghogargh and Jhalawad painting traditions. His special interest is in the paintings of central India including Malwa, Bundelkhand, Baghelkhand, Vidarbha and Khandesh. He has worked with the noted scholar Dr Vidhya Niwas Mishra on the projects of Ramayana and Gita Govinda. He has lectured in England, Australia and Switzerland, and has won several awards including the prestigious Kala Bhushan in 2003. In 2002 he was given the British Council fellowship and in 2008 a German fellowship for his projects on the painting traditions of central India. At present he is working on the interdisciplinary relationship between multiple dimensions of Indian paintings and the different disciplines of Indian literature. The visual heritage of the tradition is a subject of great interest to him. His current project is on the paintings of Bhaktamar, a Jaina composition. He is also working on a project of Gayer Anderson collection of Indian paintings preserved in Victoria and Albert Museum, London, Ashmolean Museum, Oxford, National Gallery of Australia, Canberra, and other museums of the world. Harsha V. Dehejia has a double doctorate, one in medicine and other in ancient Indian culture, both from Mumbai University. He is also a member of the Royal College of Physicians of London, Glasgow and Canada all by examination. He is a practising Physician and Professor of Indian Studies at Carleton University in Ottawa, Canada. His main interest is in Indian aesthetics.

Seeks To Explain The Geographical And Historical Bundelkhand, Its Paintings, The Wall Paintings Of Chhatarpur Big Jain Temple And The New Digambar Jain Temple, And The Frescoes Of Chowdhary Temple. Lavishly Illustrated In Colour, Line Drawings In Black And White. Comprehensive Coverage Of The Bundelkhand Art And Its Times.

Festschrift honoring a historian from Kerala; contributed articles.

"Exploring the Heart of India: The Artistic Legacy of Madhya Pradesh" is a captivating journey into the rich cultural and artistic heritage of Madhya Pradesh, often referred to as the 'Heart of Bharat'. This book delves deep into the state's vibrant tapestry of language, literature, music, dance, drama, and handicrafts, painting a vivid picture of a land where ancient traditions and modern creativity intertwine seamlessly. Madhya Pradesh, with its diverse influences from the Aryans, Buddhists, and indigenous tribes like the Bhils and Gonds, presents a unique cultural mosaic. The book highlights how these influences have shaped the state's multifaceted culture, making it a repository of varied art forms. Readers will be enthralled by detailed accounts of Madhya Pradesh's famous handlooms and handicrafts. The state's textile wonders, such as Chanderi and Maheshwari sarees, and the unique crafts like Gwalior carpets, Batik prints, and Gond paintings, are explored in depth. Each chapter dedicated to these crafts not only describes their beauty but also tells the stories of the skilled artisans behind them. Moreover, the book provides an insightful look into the Geographical Indication (GI) tags assigned to several of Madhya Pradesh's handicrafts and handlooms, underscoring their uniqueness and cultural significance. This is a must-read for anyone interested in Indian culture, traditional arts, and the vibrant legacy of one of India's most culturally rich states.

Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.

Each candidate aspiring to clear the Civil Services Examination is expected to have adequate knowledge about the elegant aspects of India’s traditions and aspects. This book on Indian Art and Culture has been divided into 16 Chapters covering the different aspects of India’s Heritage and Culture such as Art & Culture: An Introduction, Indian Architecture, Sculpture, Painting, Music, Dance, Theatre & Drama, Cinema, Traditional Martial Art, Social Culture, Religion, Philosophy, Language & Literature, Handicraft, Festivals & Fairs and Miscellaneous, which are asked in theCivil Services Examinations conducted by UPSC (Union Public Service Commission) and State PCS. Exercises with objective questions have been given after each chapter. The book also contains Practice Sets prepared according to the UPSC syllabus for thorough practice which would help the students to achieve success in the examinations.Main Features of the Book:Chapterwise comprehensive coverage in point cum para formatImportant facts given in the form of the box within chapterText is well supported with the imagesProper usage of charts and tables for better knowledgeChapterwise significant questions for revision of facts