"The history of the book in the fifteenth century is especially associated in German-speaking countries with Gutenberg's invention of printing with movable type. Over a century of scholarship has tended, often in rather gratuitous fashion, to dismiss the majority of illuminated manuscripts produced in central Europe between around 1400 and the Reformation as mediocre manifestations of a culture in decline. This book--originally published in German to accompany a series of exhibitions in Germany, Austria, and Switzerland from 2015 to 2017--was written to challenge these prejudices and the weight of tradition which they represent. It contains four wide-ranging art historical essays which for the first time give an overview of fifteenth-century illumination in Central Europe."--

Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.

A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world

Aegean Painting in the Bronze Age is intended as a handbook for the art historian and archaeologist, with a full catalogue of examples (arranged according to site), critical discussion of the problems of chronology, a comprehensive bibliography, maps, drawings of details, and more than 100 photographic plates, 23 in color. This is the only book to give a synthesis of painting and pictorial art from its beginnings in Prepalatial Crete to the collapse of Bronze Age civilization in the Aegean. Immerwahr traces the development of Aegean painting from its origins in Crete through its spread to the Cycladic islands and to the Greek mainland, where it gave rise to the specific Mycenaean style. She studies primarily wall painting but refers also to painting on pottery and the pictorial art of seal engraving. The question of foreign influence from Egypt and Mesopotamia is discussed in connection with the origins of Minoan painting, and the new frescoes from Akrotiri on Thera are used to supplement the much more fragmentary paintings from Sir Arthur Evan's excavations at Knossos. Immerwahr also explores the interrelationship of the Minoan Cretans, the Cycladic islanders with their Minoanized enclaves on Thera and Melos, and the early Greek Mycenean mainlanders.

Can you give the gorilla a jungle to hide in? Can you create some honeycomb for the bees? And can you mix up some delicious flavors of ice cream? Create paint masterpieces with nothing more than your poster paints and Anna Rumsby's entertaining activity pages. A great big book of painting fun! Also contains an introduction to mixing colors and simple, easy-to-copy painting techniques.

Venetian art - Venice - Themes and motives - Narrative painting Renaissance Italy.

Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.