Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.

Every artist paints what they love. For Maryland based artist Andrew Williams, its his love for Jesus Christ. This collection of 90's graffiti style artwork displays Bible stories in a way that gives the viewers a sense of nostalgia and a new look at life. Note: THIS BOOK IS BEST EXPERIENCED WHILE READING YOUR BIBLE.

Is the Trinity biblical? Is it necessary to affirm God as three persons in one being? Despite a renewed interest in the Trinity in recent years, many Christians, including most evangelicals, either relegate the Son of God to creaturely status or repudiate the personhood of the Holy Spirit. In addition, numerous scholars affirm that the doctrine of the Trinity is not clearly revealed in Scripture. Is the Trinity merely a philosophical construction, or is it essential to orthodox Christianity? Drawing on hermeneutics and biblical and historical theology, Malcolm Yarnell crafts a careful and clear response to these issues through exegesis of pivotal texts from both testaments. He meticulously examines the foundational Hebrew confession known as the Shema, Matthew's great commission, the divine relations in the Gospel of John, Paul's Corinthian benediction, the opening hymn of Ephesians, and the throne room vision of the Apocalypse. Also considered are the relationships of language to revelation and history to metaphysics, along with recent appeals to recover patristic exegesis and the Christian imagination. He also challenges the reader to discern the implications of the Trinity for personal salvation as well as corporate worship.

It is often difficult to describe beauty or even justify attempts to experience something beautiful. Yet if artists--whether painters or poets, actors or musicians, architects or sculptors--teach us anything, it is that the pursuit of beauty is a common feature among all humanity. As Cecilia González-Andrieu contends, these varied experiences with artistic beauty are embedded with revelatory and prophetic power that not only affects a single individual but allows for communal formation. Named one of America magazine's most promising young theologians, González-Andrieu seeks to engage art in order to reveal its religious significance. Bridge to Wonder proposes a method of theological aesthetics allowing readers to mine the depths of creative beauty to discover variegated theological truths that enable greater communion with each other and the One source of all that is beautiful.

In viewing the great works of sacred Western art, many people find difficulty in understanding the stories and identifying the figures portrayed in them. This informative guide decodes these often-mysterious scenes and reveals a vibrant world of images from the Christian tradition for museum visitors, students, and art enthusiasts alike. Gospel Figures in Art examines depictions of stories and figures from both the New Testament's canonical gospels (the books of Matthew, Mark, Luke, and John) and the apocryphal gospels (early Christian writings excluded from the New Testament because of their unsubstantiated authorship), which served as rich sources of inspiration for medieval and Renaissance artists. Illustrated with masterpieces from many of the world's premier museums, the art works provided as visual references are carefully analyzed. Sections are devoted to the principal figures in the life of Jesus Christ-his family and the evangelists-and to the major biographical turning points: his birth and baptism, his public life, the miracles and good deeds he performed, his crucifixion, resurrection, and the events that followed. This indispensable resource makes the icons and narratives of sacred art come to life.