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This is an account of the visual arts of Asia, from the Indus River to Japan and Java, between the fifth millennium BC and AD 1850. This comprehensive fifth edition includes astonishing recent archaeological discoveries. Each chapter begins with a concise historical introduction providing a political and social setting for artistic process and development. The discussions are chronologically structured and cover various mediums, including sculpture and architecture in India and Southeast Asia, painting and ceramics in China and Korea, painting and decorative arts in Japan, and sculpture in religious art everywhere. A general bibliography lists all major works and periodicals in the field, followed by expanded and specialized bibliographies for each chapter. Revised chronologies, maps, a detailed index and a pronunciation guide for the Indian, Japanese, and Chinese names and terms assist the reader. This is an integrated general introduction to its field, and a basic reference work for students.

Far from the battlefields of Europe and North Africa, Allied forces fought a very different war against another foe, from the jungles of Burma to the islands of the Pacific and the shores of Australia. This new Theatre Book for Bolt Action allows players to command the spearhead of the lightning Japanese conquests in the East or to fight tooth and nail as Chindits, US Marines and other Allied troops to halt the advance and drive them back. Scenarios, special rules and new units give players everything they need to recreate the ferocious battles and campaigns of the Far East, from Guadalcanal to Okinawa, Singapore, the Philippines, Iwo Jima and beyond.

"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --