About twenty of the finest of these are in British collections and Professor Brotherston has undertaken a close study of them, comparing them with Mexican books in America and elsewhere.

"Painted in Mexico: Pinxit Mexici, 1700-1790 is part of Pacific Standard Time: LA/LA, a far- reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018. Published in conjunction with exhibition. Exhibition Itinerary: Fomento Cultural Banamex, Mexico City June 28-October 15, 2017 Los Angeles County Museum of Art November 19, 2017-March 18, 2018 Metropolitan Museum of Art, New York April 24-July 22, 2018"--Provided by publisher.

In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode. In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system.

"The little-known story of viceregal Mexico is told by an international team of scholars whose work was previously available only piecemeal or not at all in English. Much of their research was undertaken especially for this volume."--BOOK JACKET.

Casta painting is a distinctive Mexican genre that portrays racial mixing among the Indians, Spaniards & Africans who inhabited the colony, depicted in sets of consecutive images. Ilona Katzew places this art form in its social & historical context.

Infinitas Gracias is the first collection of the work of Alfredo Vilchis Roque, one of Mexico's most famous contemporary painters, and his sons. In the tradition of Catholic votives, each painting tells a miraculous tale and gives thanks to the intervening saint. Ablaze with intense color hearkening back to the natural pigment dyes of ancient Mexico, these works portray the kaleidoscope of issues that constitute modern urban existence. With over 200 paintings, from circus adventures to household accidents to adultery, drugs, and prostitution, Infinitas Gracias weaves together a bizarre tapestry of stories, some disturbing, some comical -- all unerringly wrought and profoundly touching.

"Direct and charming."—Publishers Weekly Cynthia Weill’s book of Mexican folk art teaches kids about opposites in Spanish and English! These whimsical little animals from Oaxaca, carved and painted by hand, make learning about opposites fun. Up and down, tall and short, left and right—all inside a beautiful book. En este libro de artesanía mexicana, Cynthia Weill le enseña a niños sobre opuestos en español e ingles! Estos animalitos fantasiosos de Oaxaca, tallados y pintados a mano, hacen aprender sobre opuestos divertido. Arriba y abajo, alto y pequeño, izquierda y derecha—todo adentro de un libro encantador. "This second work by one of the authors of ABeCedarios (2007) follows its predecessor's highly praised concept and design. Pages on the left side introduce children to a word in English and Spanish, as pages on the right side present its opposite: Asleep/Dormido (a spotted dog snoozes)/AwakeDespierto (the same dog, eyes wide open and tail sticking up). "Concepts are illustrated with photographs of unique hand-painted animal carvings created individually by Oaxacan artists Quirino and Martin Santiago. The contrast between the text colors and the bright background combines with the imaginary dialogue that children can establish with the vivacious folk-art figures to make this bilingual edition another outstanding entry in the First Concepts with Mexican Folk Art series. On some pages an external element-a sun or a moon, for instance-expands on such concepts as Day/Día and Night/Noche. "A great selection for bilingual storytimes at preschools, elementary schools and public libraries. As a work of art, its display will enhance art exhibits and cultural programs as part of Hispanic Heritage Month or Children's Day/Book Day celebrations." —Kirkus Reviews