Conceptis has done it again--proving it still rules as the world’s leading developer of picture-logic puzzles. Link-Up Paint-doku offers a new way to train the brain and have fun too. Simply connect pairs of like numbers with a path that uses the same number of squares and shade them in; so two 2’s next to each other can be colored in right away. But rather than using a plain pencil, pick up one of the six colored ones we’ve included and color the path to match the numbers. Suddenly, leaps of logic become artistic leaps, as a multi-hued picture emerges, perfect for showing off your puzzle skills. Each teaser tests your mental mettle with the promise of a visual treat at the end.

Paint-doku, also known as pixel puzzles, are optical mind bogglers created to engage and perplex logical thinkers.

In what may be among the most innovative twists on sudoku ever seen, the creative geniuses at Conceptis have literally turned solving puzzles into an art form! Rather than simply figuring out which numbers go where, the solver first uses logic and creative reasoning to choose the correct number to put in each square, and then shades in the corresponding number of squares surrounding it to reveal a surprise picture. For example, the number 6 will be surrounded by six shaded squares. Discovering which six of the eight potential choices are correct adds to the challenge. "

Picture-perfect logic puzzles . . . in vibrant two-color Now, when you're cracking a code to solve a conundrum, you're also creating art. Simply use the numbers around the grid--some in color, some in black--to guide you as you fill in the squares. Gradually an image will emerge, and you'll be rewarded with a completed picture by the end. Not only do these puzzles sharpen logical thinking and cognitive skills, they're tons of fun

The popular online source has done it again! With this artistic collection of 96 paint-doku, Conceptis Puzzles continues its reign as the world's leading picture-logic puzzle developer. Simply shade the squares by using the little numbers around the grid. From there, it takes only a few leaps of logic to create a beautiful picture--a masterpiece perfect for showing off your mad solving skills.

Paint by Numbers is the most exciting new kind of puzzle to come along in many years. These "picture logic" puzzles already have a following of millions of devoted fans in Japan, where they were invented five years ago. And now Games, the magazine that introduced Paint by Numbers to the United States last year, proudly brings you an English-language version of the Japanese book that started the craze. The concept is brilliantly simple. You start with an empty grid; numbers above and to the side tell you how many squares in each row and column should be filled in. The trick is that the numbers don't tell you which squares to fill in -- that's for you to determine through logical reasoning and by working back and forth between the rows and columns. When you complete the puzzle correctly, you'll find you've made a picture! Complete instructions and some time-saving tips are included at the front of this book, along with 123 puzzles ranging from easy to very challenging. This book will give every puzzle fan many satisfying hours of entertainment.

Cy Twombly (1928-2011) is widely acknowledged as one of the postwar period's most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of work, despite the shifting status of sculpture during his lifetime. In this revelatory monograph, Kate Nesin first establishes, then evaluates the artist's long engagement with the historical and contemporary limits of sculpture, both as medium and as word. While others have described Twombly's three-dimensional works as timeless, transcendent, and poetic, Nesin complicates our sense of their so-called poetry, focusing on the prosaic, conspicuously material operations of these sculptural "things," and emphasizing the inherent difficulties as well as possibilities of the language used to characterize them. Through close readings of individual works and in-depth analyses of certain guiding concerns, such as surface, naming, gaps, and repetitions, she illuminates Twombly's remarkable sculptural practice.