This book aims to reclaim and rediscover the range of radical, democratic, socialist alternatives to capitalism. Schecter argues that whilst the collapse of the Soviet Union has seen the failure of one type of socialism, it has presented the left with the cance to re-evaluate the contribution of thinkers and movements obscured by the hegemony of Marxism-Leninism.

When The Birth of Fascist Ideology was first published in 1989 in France and at the beginning of 1993 in Italy, it aroused a storm of response, positive and negative, to Zeev Sternhell's controversial interpretations. In Sternhell's view, fascism was much more than an episode in the history of Italy. He argues here that it possessed a coherent ideology with deep roots in European civilization. Long before fascism became a political force, he maintains, it was a major cultural phenomenon. This important book further asserts that although fascist ideology was grounded in a revolt against the Enlightenment, it was not a reactionary movement. It represented, instead, an ideological alternative to Marxism and liberalism and competed effectively with them by positing a revolt against modernity. Sternhell argues that the conceptual framework of fascism played an important role in its development. Building on radical nationalism and an "antimaterialist" revision of Marxism, fascism sought to destroy the existing political order and to uproot its theoretical and moral foundations. At the same time, its proponents wished to preserve all the achievements of modern technology and the advantages of the market economy. Nevertheless, fascism opposed every "bourgeois" value: universalism, humanism, progress, natural rights, and equality. Thus, as Sternhell shows, the fascists adopted the economic aspect of liberalism but completely denied its philosophical principles and the intellectual and moral heritage of modernity.

The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography. Among other things, this publication provides analysis of the futurist manifestos from late 1910 and 1911 and Velimir Khlebnikov’s futurist essays, as well as the networks of Futurism in Odessa. In the second part, a section on Caricatures and Satires of Futurism in the Contemporary Press examines five humorous images from five countries, in which the movement and its leader were lampooned. This section is followed by nine reviews of recent exhibitions, conferences and publications, and an annual bibliography with details of 128 new books on Futurism. Futurism from international, comparative and interdisciplinary perspectives Transcultural view of international avant-gardes

This book develops a number of new conceptual tools to tackle some of the most hotly debated issues concerning the nature of fascism, using three profoundly different national contexts in the inter-war years as case studies: Italy, Britain and Norway. It explores how fascist ideology was the result of a sustained struggle between competing internal factions, which created a precarious, but also highly dynamic, balance between revolutionary/totalitarian and conservative/authoritarian tendencies. Such a balance meant that these movements were hybrids with a surprising degree of internal diversity, which cannot be explained away as simple opportunism or lack of ideological substance. The book's focus on fascist ideology's internal variety and aggregative potential leads it to argue that when fascism "succeeded," this was less an effect of its revolutionary ideas, than of the opposite – namely, its power to integrate elements from other pre-existing ideologies. Given the prevailing opinion that fascism is revolutionary by definition, the book ultimately poses a challenge to the dominant view in the field of fascist studies.

In The History of Italian Marxism, Paolo Favilli offers an articulated analysis of the different levels at which Marx's ideas - and 'Marxism' as a doctrinal 'system' - were received in Italy from the time of the First International up till the eve of the First World War. Rejecting any linear understanding of the relation between Marx's texts and the assumption of Marxism as the ideology of the burgeoning workers' movement, Favilli explores the growth of different forms of Marxist culture through the period of the Paris Commune, the late-nineteenth-century debate on 'revisionism', and the rise of revolutionary syndicalism. Asking in each case whether 'Marxism' meant a science, an ideology, a way of doing politics, a utopia, a myth or a religion, Favilli goes on to assess which of these 'Marxisms' died with, and which have survived, the 'crisis' at the end of the twentieth century. With a new preface to the English edition. First published in Italian as Storia del marxismo italiano: dalle origini alla grande guerra, FrancoAngeli s.r.l. Milan, 1996.