Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.

A veteran police detective, Robert Snow was devoted to evidence and hard facts—he had never given any thought to reincarnation. But during a hypnotic regression, he experiences a vivid awareness of being alive in three separate historical scenes. Remaining skeptical, Snow begins to investigate with the intention of disproving reincarnation. Instead, diligent research and corroboration from multiple sources reveal solid evidence that he lived a former life as Carroll Beckwith, a nineteenth-century American artist. Portrait of a Past Life Skeptic tells the fascinating story of Robert Snow's transformation from skeptic to believer.

American popular magazines play a role in our culture similar to that of public historians, Carolyn Kitch contends. Drawing on evidence from the pages of more than sixty magazines, including Newsweek, Rolling Stone, Black Enterprise, Ladies' Home Journal, and Reader's Digest, Kitch examines the role of journalism in creating collective memory and identity for Americans. Editorial perspectives, visual and narrative content, and the tangibility and keepsake qualities of magazines make them key repositories of American memory, Kitch argues. She discusses anniversary celebrations that assess the passage of time; the role of race in counter-memory; the lasting meaning of celebrities who are mourned in the media; cyclical representations of generational identity, from the Greatest Generation to Generation X; and anticipated memory in commemoration after crisis events such as those of September 11, 2001. Bringing a critically neglected form of journalism to the forefront, Kitch demonstrates that magazines play a special role in creating narratives of the past that reflect and inform who we are now.

"A collection of photographs and essays focusing on postindustrial landscapes and abandoned buildings in Pennsylvania"--Provided by publisher.

For more than two decades, McCullough has fascinated readers with portraits of exceptional men and women who not only have shaped the course of history but whose stories express much that is timeless about the human condition. From Harriet Beecher Stowe to a young Theodore Roosevelt, the subjects possess a sense of purpose that make for unforgettable reading.