In the years since his death in 1993, Colombian drug lord Pablo Escobar has become a globally recognized symbol of crime, wealth, power, and masculinity. In this long-overdue exploration of Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how his legacy inspired the development of narcoculture—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world. Pobutsky looks at the ways the “Escobar brand” surfaces in bars, restaurants, and clothing lines; in Colombia’s tourist industry; and in telenovelas, documentaries, and narco memoirs about his life, which in turn have generated popular interest in other drug traffickers such as Griselda Blanco and Miami’s “cocaine cowboys.” Pobutsky illustrates how the Colombian state strives to erase his memory while Escobar’s notoriety only continues to increase in popular culture through the transnational media. She argues that the image of Escobar is inextricably linked to Colombia’s internal tensions in the areas of cocaine politics, gender relations, class divisions, and political corruption and that his “brand” perpetuates the country’s reputation as a center of organized crime, to the dismay of the Colombian people. This book is a fascinating study of how the world perceives Colombia and how Colombia’s citizens understand their nation’s past and present. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez

The popular series Narcos captures only half the truth. This riveting, deeply personal memoir by Pablo Escobar's son reveals the full story.

For a quarter century, Luis Antonio Navia worked as a high-level cocaine transporter for all of the major Colombian and Mexican drug cartels, including Pablo Escobar’s Medellín Cartel, and flooded the United States and Europe with cocaine before his dramatic arrest in Venezuela in 2000 during the 12-nation Operation Journey. The story of Navia’s rise, fall, takedown, imprisonment, and redemption is expertly researched and told by acclaimed biographer Jesse Fink, who has gathered interviews with Navia, Navia’s family, and a dozen law-enforcement agents in the United States and Great Britain from agencies such as the DEA, ICE and Her Majesty’s Customs and Excise (now Her Majesty’s Revenue and Customs). Told in vivid detail, this true crime story will captivate the reader from start to finish.

Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the focus of drug anxiety has shifted over the years from cocaine to crack and from methamphetamines to opioids, and even as significant strides have been made in representational politics in many areas of pop culture, Latinx people remain an unshakeable fixture in stories narrating the production, distribution, and sale of narcotics. Narcomedia argues that such representations of Latinx people, regardless of the intentions of their creators, are best understood as a cultural front in the War on Drugs. Latinos and Latin Americans are not actually America’s drug problem, yet many Americans think otherwise—and that is in no small part because popular culture has largely refused to imagine the drug trade any other way.

From the New York Times bestselling author, here is the first novel in the explosive Power of the Dog series—an action-filled look at the drug trade that takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. Book One of the Power of the Dog Series Set about ten years prior to The Cartel, this gritty novel introduces a brilliant cast of characters. Art Keller is an obsessive DEA agent. The Barrera brothers are heirs to a drug empire. Nora Hayden is a jaded teenager who becomes a high-class hooker. Father Parada is a powerful and incorruptible Catholic priest. Callan is an Irish kid from Hell’s kitchen who grows up to be a merciless hit man. And they are all trapped in the world of the Mexican drug Federación. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you’ve never seen it.

This Land Management book integrates our current understanding of environmental processes with relevant social ecoomic and other subjects to provide an integratedapproach to land use. This approach is then applied throughout the book at relevant scales including field, city, catchment, national and global. This book allows specialisation in ecological conservation,ecotechnology for cities, land reclamation and restoration, natural resource management and soil management.

Crandall (political science, Davidson College) examines the evolution of US policy towards Columbia, largely driven by factors relating to the US's "war on drugs," as well as the roots of violence in Colombia. He then focuses on US policy towards the country during two key periods: the Samper administration (1994-1998) and the Pastrana administration (1998-2002). He concludes by assessing current US policy toward Colombia and suggesting directions for future policy. Annotation copyrighted by Book News, Inc., Portland, OR