Oxford University Press is one of the oldest and best-known publishing houses in the world. This history, originally published to mark 500 years of printing in Oxford, traces the transformation of the Press from a lucrative Bible house into a great national and international publishing business. Great names in the early history of the Press, like Laud, Fell, and Blackstone, laid sound foundations, but as late as the 1890s the University was censured for sanctioning the publication of the secular and profane literature of Marlowe and Shakespeare.

The history of Oxford University Press spans five centuries of printing and publishing. This third volume begins with the establishment of the New York office in 1896. It traces the expansion of OUP in America, Australia, Asia, and Africa, and far-reaching changes in the business and technology of publishing up to 1970.

Text and Practices provides an essential introduction to the theory and practice of Critical Discourse Analysis. Using insights from this challenging new method of linguiistic analysis, the contributors to this text reveal the ways in whcih language can be used as a means of social control. The essays in Text and Practices: * demonstrate how critical discourse analysis can be applied to a variety of written and spoken texts * deconstruct data from a range of contexts, countries and spheres * expose hidden patterns of discrimination and inequalities of power Texts and Practices, which includes specially commissioned papers from a range of distinguished authors, provides a state-of-the-art introduction to critical discourse analysis. As such it represents an important contribution to this developing field and an essential text for all advanced students of language, media and cultural studies.

A young British woman working in a book bindery gets a chance to pursue knowledge and love when World War I upends her life in this new novel from the New York Times bestselling author of the Reese’s Book Club pick The Dictionary of Lost Words. “Williams spins an immersive and compelling tale, sweeping us back to the Oxford she painted so expertly in The Dictionary of Lost Words.”—Paula McLain, author of The Paris Wife It is 1914, and as the war draws the young men of Britain away to fight, women must keep the nation running. Two of those women are Peggy and Maude, twin sisters who live on a narrow boat in Oxford and work in the bindery at the university press. Ambitious, intelligent Peggy has been told for most of her life that her job is to bind the books, not read them—but as she folds and gathers pages, her mind wanders to the opposite side of Walton Street, where the female students of Oxford’s Somerville College have a whole library at their fingertips. Maude, meanwhile, wants nothing more than what she has: to spend her days folding the pages of books in the company of the other bindery girls. She is extraordinary but vulnerable, and Peggy feels compelled to watch over her. Then refugees arrive from the war-torn cities of Belgium, sending ripples through the Oxford community and the sisters’ lives. Peggy begins to see the possibility of another future where she can educate herself and use her intellect, not just her hands. But as war and illness reshape her world, her love for a Belgian soldier—and the responsibility that comes with it—threaten to hold her back. The Bookbinder is a story about knowledge—who creates it, who can access it, and what truths get lost in the process. Much as she did in the international bestseller The Dictionary of Lost Words, Pip Williams thoughtfully explores another rarely seen slice of history through women’s eyes.