Oxford and Lafayette County were formed from the Pontotoc Treaty and the Chickasaw Cession of 1832 and the revised agreement in 1834. This treaty with the Chickasaws ceded land that formed 12 counties in North Mississippi. On June 22, 1836, three land speculators, John Martin, John Chisom, and John Craig, donated 50 acres to the Board of Police for the formation of the city of Oxford. The name Oxford was proposed by a nephew of John Craig, Thomas D. Isom, who worked for him in his trading post, in hopes that the state legislature would place the new state university there. Oxford was chartered by the State of Mississippi on May 11, 1837. The University of Mississippi opened its doors in 1848.

In September 1962, James Meredith became the first African American admitted to the University of Mississippi. A milestone in the civil rights movement, his admission triggered a riot spurred by a mob of three thousand whites from across the South and all but officially stoked by the state's segregationist authorities. Historians have called the Oxford riot nothing less than an insurrection and the worst constitutional crisis since the Civil War. The escalating conflict prompted President John F. Kennedy to send twenty thousand regular army troops, in addition to federalized Mississippi National Guard soldiers, into the civil unrest (ten thousand into the town itself) to quell rioters and restore law and order. James Meredith and the Ole Miss Riot is the memoir of one of the participants, a young army second lieutenant named Henry Gallagher, born and raised in Minnesota. His military police battalion from New Jersey deployed, without the benefit of riot-control practice or advance briefing, into a deadly civil rights confrontation. He was thereafter assigned as the officer-in-charge of Meredith's security detail at a time when he faced very real threats to his life. Gallagher's first-person account considers the performance of his fellow soldiers before and after the riot. He writes of the behavior of the white students, some of them defiant, others perceiving a Communist-inspired Kennedy conspiracy in Meredith's entry into Mississippi's “flagship” university. The author depicts the student, Meredith, a man who at times seemed disconnected with the violent reality that swirled around him, and who even aspired to be freed of his protectors so that he could just be another Ole Miss student. James Meredith and the Ole Miss Riot is both an invaluable perspective on a pivotal moment in American history and an in-depth look at a unique home front military action. From the vantage of the fiftieth anniversary of the riot, Henry T. Gallagher reveals the young man he was in the midst of one of history's most profound tests, a soldier from the Midwest encountering the powder keg of the Old South and its violent racial divisions.

"A brilliant examination of literary invention through the ages, from ancient Mesopotamia to Elena Ferrante, showing how writers created technical breakthroughs as sophisticated and significant as any in science, and in the process, engineered enhancements to the human heart and mind"--

James Meredith broke the color barrier in 1962 as the first African American student at Ole Miss. The violent riot that followed would be one of the most deadly clashes of the civil rights era, seriously wounding scores of U.S. Marshals and killing two civilians, and forcing the federal government to send thousands of soldiers to restore the peace. In The Battle of Ole Miss: Civil Rights v. States' Rights, Frank Lambert--who was a student at Ole Miss at the time and witnessed many of these events--provides an engaging narrative of the tumultuous period surrounding Meredith's arrival at the University of Mississippi. Written from the unique perspective of a student, Lambert explores the riot and its aftermath, examining why James Meredith deemed it important enough to risk his life in order to enter Ole Miss and why scores of white students resisted Meredith's enrollment. Lambert captures the complex and confused reactions of the students--most of whom had never given race a second thought--and many of whom were not averse to Meredith attending Ole Miss. In examining this single incident, Lambert illuminates the broader themes of social and cultural fault lines, Mississippi race relations, the fight for racial justice, and the political realignment that transformed the south. Part of the Critical Historical Encounters series, The Battle of Ole Miss: Civil Rights v. States' Rights is an ideal supplement for undergraduate U.S. Survey courses and courses in African American History, Civil Rights, the U.S. Since 1945, and the 1960s.

The #1 New York Times bestseller that sparked international dialogue is now a book for young adults! Based on the adult bestseller by Ibram X. Kendi, and co-authored by bestselling author Nic Stone, How to be a (Young) Antiracist will serve as a guide for teens seeking a way forward in acknowledging, identifying, and dismantling racism and injustice. The New York Times bestseller How to be an Antiracist by Ibram X. Kendi is shaping the way a generation thinks about race and racism. How to be a (Young) Antiracist is a dynamic reframing of the concepts shared in the adult book, with young adulthood front and center. Aimed at readers 12 and up, and co-authored by award-winning children's book author Nic Stone, How to be a (Young) Antiracist empowers teen readers to help create a more just society. Antiracism is a journey--and now young adults will have a map to carve their own path. Kendi and Stone have revised this work to provide anecdotes and data that speaks directly to the experiences and concerns of younger readers, encouraging them to think critically and build a more equitable world in doing so.

NEW YORK TIMES BESTSELLER • The definitive guide to telling an unforgettable story in any setting, drawing on twenty-five years of experience from the storytelling experts at The Moth “From toasts to eulogies, from job interviews to social events, this book will help you with ideas, structure, delivery and more.”—CNN LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD Over the past twenty-five years, the directors of The Moth have worked with people from all walks of life—including astronauts, hairdressers, rock stars, a retired pickpocket, high school students, and Nobel Prize winners—to develop true personal stories that have moved and delighted live audiences and listeners of The Moth’s Peabody Award–winning radio hour and podcast. A leader in the modern storytelling movement, The Moth inspires thousands of people around the globe to share their stories each year. Now, with How to Tell a Story, The Moth will help you learn how to uncover and craft your own unique stories, like Moth storytellers Mike Birbiglia, Rosanne Cash, Neil Gaiman, Elizabeth Gilbert, Padma Lakshmi, Darryl “DMC” McDaniels, Tig Notaro, Boots Riley, Betty Reid Soskin, John Turturro, and more. Whether your goal is to make it to the Moth stage, deliver the perfect wedding toast, wow clients at a business dinner, give a moving eulogy, ace a job interview, be a hit at parties, change the world, or simply connect more deeply to those around you, stories are essential. Sharing secrets of The Moth’s time-honed process and using examples from beloved storytellers, a team of Moth directors will show you how to • mine your memories for your best stories • explore structures that will boost the impact of your story • deliver your stories with confidence • tailor your stories for any occasion Filled with empowering, easy-to-follow tips for crafting stories that forge lasting bonds with friends, family, and colleagues alike, this book will help you connect authentically with the world around you and unleash the power of story in your life.

PUBLISHERS WEEKLY BESTSELLER 2022 NATIONAL INDIE EXCELLENCE AWARDS FINALIST — MEMOIR "Shot through with hope, purpose and an unflinching love, it's a story that must be read." —Newsweek "Essential, poignant, and insightful reading." —Kirkus Reviews, starred review Award-winning columnist and author David Magee addresses his poignant story to all those who will benefit from better understanding substance misuse so that his hard-earned wisdom can save others from the fate of his late son, William. The last time David Magee saw his son alive, William told him to write their family’s story in the hopes of helping others. Days later, David found William dead from an accidental drug overdose. Now, in a memoir suggestive of Augusten Burroughs meets Glennon Doyle, award-winning columnist and author David Magee answers his son's wish with a compelling, heartbreaking, and impossible to put down book that speaks to every individual and family. With honesty and heart, Magee shares his family’s intergenerational struggle with substance abuse and mental health issues, as well as his own reckoning with family secrets—confronting the dark truth about the adoptive parents who raised him and a decades-long search for identity. He wrestles with personal substance misuse that began at a young age and, as a father, he sees destructive patterns repeat and develop within his own children. While striving to find a truly authentic voice as a writer despite authoring nearly a dozen previous books, Magee ultimately understands that William had been right and their own family’s history is the story he needs to tell. A poignant and uplifting message of hope translates unimaginable tragedy into an inspirational commitment to saving others, as David founded the William Magee Institute for Student Wellbeing at the University of Mississippi. His mission to share solutions to self-medication and addiction, particularly as it touches America’s high school and college students, emphasizes that William’s story is about much more than a tragic addiction—it’s an American story of a family broken by loss and remade with love. Dear William inspires readers to find purpose, build resilience, and break the cycles that damage too many individuals and the people who love them. It’s a life-changing book revealing how voids can be filled, and peace—even profound, lasting happiness—is possible.