An inquiry into the relationship between the primordial Pre Big Bang Void and the Existential Void of dysfunctional behavior.How emptiness, creativity and depression are related with respect to egocide, suicide peripateia and the Dark Night of the Soul. Change as a necessary ingredient of the Universe, Life and Sentient Life. The interplay between the Inner Self and the perceived Outer Reality (Universe). A new theory of interacting with the inner Void of the Soul without perfectionism, addictions and dysfunctional stuffing of the Void. The role of extremes in creativity, addictions, dysfunction and how they relate in a world of attoseconds and billions of lightyears. A new Paradigm way of dealing with an increasingly stressful modern world without becoming a workaholic or a hermit. Relating to the mysterious as the unknown we cannot even imagin

This collection presents geography’s most in-depth and sustained engagements with the void to date, demonstrating the extent to which related themes such as gaps, cracks, lacks, and emptiness perforate geography’s fundamental concepts, practices, and passions.

In the monograph, the first of this type in the world, the authors discuss systematically the current state of investigations into nanocrystalline materials. The experimental results on the effect of the nanocrystalline state on the microstructure and the mechanical, thermophysical, optical, and magnetic properties of metals, alloys and solid-phase compounds are generalised. Special attention is given to the main methods of production of isolated nanoparticles, ultrafine powders and dense nanocrystalline materials. The dimensional effects in isolated nanoparticles and high-density nanocrystalline materials are discussed in detail, and the important role of the interface in the formation of the structure and properties of dense nanocrystalline materials is shown. The modelling considerations, explaining special features of the structure and anomalous properties of substances in the nanocrystalline condition, are analysed.

The new edition of an introduction to computer programming within the context of the visual arts, using the open-source programming language Processing; thoroughly updated throughout. The visual arts are rapidly changing as media moves into the web, mobile devices, and architecture. When designers and artists learn the basics of writing software, they develop a new form of literacy that enables them to create new media for the present, and to imagine future media that are beyond the capacities of current software tools. This book introduces this new literacy by teaching computer programming within the context of the visual arts. It offers a comprehensive reference and text for Processing (www.processing.org), an open-source programming language that can be used by students, artists, designers, architects, researchers, and anyone who wants to program images, animation, and interactivity. Written by Processing's cofounders, the book offers a definitive reference for students and professionals. Tutorial chapters make up the bulk of the book; advanced professional projects from such domains as animation, performance, and installation are discussed in interviews with their creators. This second edition has been thoroughly updated. It is the first book to offer in-depth coverage of Processing 2.0 and 3.0, and all examples have been updated for the new syntax. Every chapter has been revised, and new chapters introduce new ways to work with data and geometry. New “synthesis” chapters offer discussion and worked examples of such topics as sketching with code, modularity, and algorithms. New interviews have been added that cover a wider range of projects. “Extension” chapters are now offered online so they can be updated to keep pace with technological developments in such fields as computer vision and electronics. Interviews SUE.C, Larry Cuba, Mark Hansen, Lynn Hershman Leeson, Jürg Lehni, LettError, Golan Levin and Zachary Lieberman, Benjamin Maus, Manfred Mohr, Ash Nehru, Josh On, Bob Sabiston, Jennifer Steinkamp, Jared Tarbell, Steph Thirion, Robert Winter

This book constitutes the thoroughly refereed post-workshop proceedings of the Second International Workshop on Types in Compilation, TIC '98, held in Kyoto, Japan in March 1998. The book presents 13 revised full papers carefully selected during an iterated reviewing process together with three invited papers. The papers are organized in topical sections on typed intermediate languages, program analyses, program transformations and code generation, memory management, partial evaluation and run-time code generation, and distributed computing.