This is the OCR-endorsed publication from Bloomsbury for the Latin A-Level (Group 4) prescription of Ovid's Heroides, giving full Latin text, commentary and vocabulary for Heroides I lines 1–68, and Heroides VII lines 1–140, with a detailed introduction that also covers the prescribed text to be read in English. Ovid's Heroides is a unique collection of poetry, in which famous mythological heroines write letters to the men who have abandoned them. They offer a new perspective on the otherwise male-centred mythological tradition. Heroides I (from Penelope) and VII (from Dido) respond to the most famous Classical epics, Homer's Odyssey and Virgil's Aeneid, by presenting a new, less positive, angle on the two famous epic heroes. Through his heroines' unique voices, Ovid plays with literary tradition, inviting us all to take a side: epic heroism or loyalty in love? Resources are available on the Companion Website.

Ovid's Heroides, a collection of twenty-one epistles in elegiac verse, consists of two groups, the first comprising fourteen poems addressed by heroines of mythology to their absent lovers or husbands. In this edition, Professor Knox offers a commentary on seven of these epistles, addressing problems of language and style, and focusing on the relationship of the Heroides to the classic works of Greek and Roman literature on which Ovid bases his representation of these women. In addition, he has included a commentary on the Epistula Sapphus, a separate poem of doubtful authorship which was composed in the manner of Ovid and is believed by many to be by him. The Introduction provides an account of the genre, a survey of language, style and metre, and an outline of the problems concerning the authenticity of parts of the collection.

This volume offers up-to-date translations of all 21 epistles of Ovid’s Heroides. Each letter is accompanied by a preface explaining the mythological background, and an essay offering critical remarks on the poem, and discussion of the heroine and her treatment elsewhere in Classical literature. Where relevant, reception in later literature, film, music and art, and feminist aspects of the myth are also covered. The book is augmented by an introduction covering Ovid's life and works, the Augustan background, originality of the Heroides, dating, authenticity, and reception. This is a vital new resource for anyone studying the poetry of Ovid, classical myth, or women in the ancient world. A useful glossary of characters mentioned in the Heroides concludes the book.

Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition.

In the twenty-one poems of the Heroides, Ovid gave voice to the heroines and heroes of epic and myth. These deeply moving literary epistles reveal the happiness and torment of love, as the writers tell of their pain at separation, forgiveness of infidelity or anger at betrayal. The faithful Penelope wonders at the suspiciously long absence of Ulysses, while Dido bitterly reproaches Aeneas for too eagerly leaving her bed to follow his destiny, and Sappho - the only historical figure portrayed here - describes her passion for the cruelly rejecting Phaon. In the poetic letters between Paris and Helen the lovers seem oblivious to the tragedy prophesied for them, while in another exchange the youthful Leander asserts his foolhardy eagerness to risk his life to be with his beloved Hero.

A young woman accidentally turns in a private story from her journal instead of an English assignment and becomes a best-selling author almost overnight.

A series of letters purportedly written by Penelope, Dido, Medea, and other heroines to their lovers, the Heroides represents Ovid's initial attempt to revitalize myth as a subject for literature. In this book, Howard Jacobson examines the first fifteen elegaic letters of the Heroides. In his critical evaluation, Professor Jacobson takes into consideration the twofold nature of the work: its existence as a single entity with uniform poetic structure and coherent goals, and its existence as a collection of fifteen individual poems. Thus, fifteen chapters are devoted to a thorough analysis and interpretation of the particular poems, while six additional chapters are concerned with problems that pertain to the work as a whole, such as the nature of the genre, the role of rhetoric, theme, and variation, and the originality of Ovid. Special attention is given to the application of modern psychological criticism to the delineations of the pathological psyche in the letters. In an additional chapter on the chronology of Ovid's early amatory poetry, the author challenges and revises the traditional dating of the Heroides. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.