Enjoy this steamy cowboy series by USA Today Bestselling small-town romance author Erin Wright… After a bitter betrayal, Dawson won't allow anyone to run roughshod over his heart again… The rodeo circuit gave him an escape after his racist boss ran him off. Hank Bartell made it clear no man who was part-Navajo would buy his ranch or court his daughter. In a single moment, the man destroyed every one of Dawson's dreams. But when the rodeo brings Dawson to the tiny mountain town of Sawyer, Idaho, he comes face to face with everything he lost. For nine years, Chloe hasn't been able to forget the man who abandoned her... The quiet life Chloe leads in the small town of Sawyer is shattered the day Dawson comes to compete in the rodeo. He's everything she remembers, and more. Gorgeous. Muscular. Six foot and change of sexy cowboy. She watches helplessly as he discovers the son he never knew he had. He demands answers but Chloe is determined to keep her distance. When sparks fly, though, the fire they ignite threatens to burn down the walls she's built around her broken heart. Can they forgive each other and build a new life…together? Overdue for Love is the sixth book in the Cowboys of Long Valley Romance series, although all books in the Long Valley world can be read as standalones. For fans of Scott Wylder, Kat Baxter, or Lena Hendrix, this is a HOT romantic story with a guaranteed happily ever after. It does have some strong language and oh my, sexy times. Enjoy!

Dawson was traveling through Long Valley when a stop at a diner revealed a secret he'd never expected: A boy who looked just like him, and an ex-girlfriend who'd been hiding out in the mountains of Idaho...

When you're the daughter of a best-selling romance writer, life should be pretty good. But for 16-year-old Alice Amorous, daughter of the Queen of Romance, life is an agonizing lie. Her mother's been secretly hospitalized for mental illness, and Alice has been putting on a brave front, answering fan letters, forging her mother's signature, telling the publisher that all is well. But the next book is due and the Queen can't write it. Alice needs a story for her mother. And she needs one fast. That's when she meets Errol, a strange boy who's been following her. A boy who tells her that he has a love story. A boy who believes he's Cupid. As Alice begins to hear Errol's voice in her head, and begins to see things she can't explain, she must face the truth - that she's either inherited her mother's madness, or Errol is for real.

"A heartfelt and exciting debut...a wise and honest story of how it feels to be a young woman in search of yourself."—Taylor Jenkins Reid, New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Malibu Rising The Bookish Life of Nina Hill meets Younger in a heartfelt debut following a young woman who discovers she'll have to ditch the "dream job" and write her own story to find her happy ending. Meet Nora Hughes—the overworked, underpaid, last bookish assistant standing. At least for now. When Nora landed an editorial assistant position at Parsons Press, it was her first step towards The Dream Job. Because, honestly, is there anything dreamier than making books for a living? But after five years of lunch orders, finicky authors, and per my last emails, Nora has come to one grand conclusion: Dream Jobs do not exist. With her life spiraling and the Parsons staff sinking, Nora gets hit with even worse news. Parsons is cutting her already unlivable salary. Unable to afford her rent and without even the novels she once loved as a comfort, Nora decides to moonlight for a rival publisher to make ends meet...and maybe poach some Parsons' authors along the way. But when Andrew Santos, a bestselling Parsons author no one can afford to lose is thrown into the mix, Nora has to decide where her loyalties lie. Her new Dream Job, ever-optimistic Andrew, or...herself and her future. Your next book club read touching on mental health, happiness, and the peaks and perils of being a young woman just trying to figure it all out. Nora Hughes is the perfect heroine for anyone looking to get past their own chapter twenty-something and build their storybook life. "A tender reflection on finding your person while you're still desperately searching for yourself."—KJ Dell'Antonia, New York Times bestselling author of The Chicken Sisters "A book for book lovers... It's impossible not to root for Nora!"—Jesse Q. Sutanto, National Bestselling author of Dial A for Aunties

Can true love prevail against prejudice and deceit? After a bitter betrayal, Dawson Blackhorse won't allow anyone to run roughshod over his heart again...especially not the woman he was once foolish enough to trust. The rodeo circuit gave Dawson an escape after his racist boss ran him off. Hank Bartell made it clear no man who was part-Navajo, would buy his ranch or court his daughter. In a single moment, the man destroyed every one of Dawson's dreams. But when the rodeo brings him to the tiny mountain town of Sawyer, Idaho, he comes face to face with everything he lost. For nine years, Chloe Bartell hasn't been able to forget the man who abandoned her. Especially not when she looks into the eyes of their son. The quiet life Chloe leads in the small town of Sawyer is shattered the day Dawson comes to compete in the rodeo. He's everything she remembers and more. Gorgeous. Muscular. Six foot and change of sexy cowboy. She watches helplessly as he comes face to face with the son he never knew he had. Dawson demands answers but Chloe is determined to keep her distance. When sparks fly, the fire they ignite threatens to burn down the walls she's built around her broken heart. Will the pain and loss of their past drive them apart for good? Or can they forgive each other and build a new life, a life they always dreamed of... Overdue for Love is the sixth novella in the Long Valley world, although all books in the Long Valley world can be read as standalones. It has some strong language, and oh my, sexy times. Enjoy!

"One part love letter, one part eulogy, Overdue tells the story of America's public library system . . . Amanda Oliver proves herself a vibrant new literary voice . . . This is a book for all book lovers." —Reza Aslan, author of Zealot: The Life and Times of Jesus of Nazareth When Amanda Oliver began work as a school librarian, fueled by a lifelong love of books and a desire to help, she felt qualified for the job. What she learned was that librarians are expected to serve as mediators and mental-health-crisis support professionals, customer service reps and administrators of overdose treatment, fierce loyalists to institutionalized mythology and enforced silence, and arms of state surveillance. Based on firsthand experiences from six years of professional work as a librarian in high-poverty neighborhoods of Washington, DC, as well as interviews and research, Overdue begins with Oliver's first day at Northwest One, the DC Public Library branch where she would ultimately end her library career. Through her experience at this branch, Oliver highlights the national problems that have existed in libraries since they were founded, troublingly at odds with the common romanticization of the library as a shining beacon of equality: racism, segregation, and economic oppression. These fundamental American problems manifest today as police violence, the opioid epidemic, widespread inaccessibility of affordable housing, and a lack of mental health care nationwide—all of which come to a head in public library spaces. Can public librarians continue to play the many roles they are tasked with? Can American society sustain one of its most noble institutions? Libraries will not save us, but Oliver helps us imagine what might be possible if we stop expecting them to.

A lyric novel about the play of grief, empathy, new and old love, and the quest to overcome blindness in human relations. Caught in the cross-currents of a fraught divorce and a new love, the death of her mother, and a global pandemic, a writer plunges into an obsession with the work of 1960s French philosopher Roland Barthes. Her struggles to make sense of his work and life—and of what can happen to a woman's settled life in a single harrowing year—result in an engrossing, funny, earthy, and innovative lyric work. The quest for authenticity in motherhood, sexuality, and tenancy on the earth and in the home, as well as the unusual lyric form, make the novel unified in spirit yet transdisciplinary in approach.